Original Artwork
Click to enlarge
Prev
"Geronimo' Apache Ghief
"Geronimo' Apache Ghief
$650.00
Go to Shop
Next
"Nampeyo" The Potter
"Nampeyo" The Potter
$650.00

$750.00

“Counting Coupe”

“Counting Coupe”
Among the Plains Indians of North America, counting coup involved the winning of prestige against an enemy. Native American warriors won prestige by acts of bravery in the face of the enemy, which could be recorded in various ways and retold as stories. Any blow struck against the enemy counted as a coup, but the most prestigious acts included touching an enemy warrior with a hand, bow, or coup stick.
Counting coup could also involve stealing an enemy’s horses tied up to his lodge in camp. Risk of injury or death was required to count coup. Escaping unharmed while counting coup was considered a higher honor than being wounded in the attempt.
After a battle or exploit, the people of a band would gather together to recount their acts of bravery and “count coup”.

International Shipping: If you are outside the U.S., please contact us directly for a shipping quote.

Add to wishlist Add to wishlist
Compare
Category:
Description

Description

“Counting Coupe”
Among the Plains Indians of North America, counting coup involved the winning of prestige against an enemy. Native American warriors won prestige by acts of bravery in the face of the enemy, which could be recorded in various ways and retold as stories. Any blow struck against the enemy counted as a coup, but the most prestigious acts included touching an enemy warrior with a hand, bow, or coup stick.
Counting coup could also involve stealing an enemy’s horses tied up to his lodge in camp. Risk of injury or death was required to count coup. Escaping unharmed while counting coup was considered a higher honor than being wounded in the attempt.
After a battle or exploit, the people of a band would gather together to recount their acts of bravery and “count coup”.

Reviews (0)

Reviews

There are no reviews yet.

Be the first to review ““Counting Coupe””

Your email address will not be published. Required fields are marked *

More Products
Original Artwork
"Quoth the Raven"
Add to wishlist Add to wishlist
Compare
Add to cart
Quick view

“Quoth the Raven”

 $125.00

“Quoth the Raven”
This is an acrylic original on an 8X10 canvas board. Over the years, I have painted a variety of 8X10 original bird pairs. You will find other of these originals scattered throughout this Gallery. Eventually I plan to release prints of these in “Collections” under the name “Birds of the Air”. The Collections that will be available sometime in the future. This is one of the originals. All of these originals will fit a standard 8X10 frame of your choosing.

Add to cart
Original Artwork
"Pucksinewah" (Shawnee War Chief) 15298823
Add to wishlist Add to wishlist
Compare
Add to cart
Quick view

“Pucksinewah” (Shawnee War Chief) 15298823

 $1,500.00

Puckshinwa “Shawnee War Chief”
Puckshinwa, meaning “alights from flying”, was a Shawnee War Chief of the Kispoko during Pontiac’s Rebellion.
Pucksinewah was father to Tecumseh, a Shawnee chief and warrior who promoted resistance to the expansion of the United States onto Native American lands. A persuasive orator, Tecumseh traveled widely, forming a Native American Confederacy and promoting intertribal unity. Even though his efforts to unite Native Americans ended with his death in the War of 1812, he became an iconic folk hero in American, Indigenous, and Canadian popular history.
Puckshinwa “Shawnee War Chief”
Puckshinwa, meaning “alights from flying”, was a Shawnee War Chief of the Kispoko during Pontiac’s Rebellion.
Pucksinewah was father to Tecumseh, a Shawnee chief and warrior who promoted resistance to the expansion of the United States onto Native American lands. A persuasive orator, Tecumseh traveled widely, forming a Native American Confederacy and promoting intertribal unity. Even though his efforts to unite Native Americans ended with his death in the War of 1812, he became an iconic folk hero in American, Indigenous, and Canadian popular history.

Add to cart
Original Artwork
"The Chase"
Add to wishlist Add to wishlist
Compare
Add to cart
Quick view

“The Chase”

 $2,500.00

“The Chase”
This woodcarving was carved from a single wild cherry tree. The trunk was sawed into 5 inch planks, kiln dried, surfaced, then reassembled into a 14 X 16 X 24 inch carving block
The actual carving began in July of 1995, and was completed in early November of that year.
I entered the carving in the Dayton Woodcarving Show, it was accepted, and won a blue ribbon in the competition.

Add to cart
Original Artwork
"Ten Horse Team on the Overland Trail"
Add to wishlist Add to wishlist
Compare
Add to cart
Quick view

“Ten Horse Team on the Overland Trail”

 $950.00

Ten Horse Team on the Overland Trail
The Overland Trail (also known as the “Overland Stage Line”) was a stagecoach and wagon trail in the American West during the 19th century. While portions of the route had been used by explorers and trappers since the 1820s, the Overland Trail was most heavily used in the 1860s as an alternative route to the Oregon, California, and Utan trails through central Wyoming. The Overland Trail was famously used by the Overland Stage Company owned by Ben Holladay to run mail and passengers to Salt Lake City, Utah, via stagecoaches in the early 1860s. The stage line operated until 1869 when the completion of the First Transcontinental Railroad eliminated the need for mail service via stagecoach.
The original “Ten Horse Team” is an acrylic painting on a 2 X 4 foot canvas

Add to cart
Original Artwork
"Cart Wheels"
Add to wishlist Add to wishlist
Compare
Add to cart
Quick view

“Cart Wheels”

 $950.00

Scientists don’t know what characteristics bald eagles look for in potential mates or how the birds assess each other’s reproductive potential.
It’s known, however, that bald eagle pairs engage in a number of courtship rituals as they build their bond.
The most famous and recognizable of these rituals is the “cartwheel courtship flight,” in which two bald eagles will fly up high, lock talons and then get into a cartwheel spin as they fall toward the ground, breaking apart at the last minute.
This piece is sculpted in two-part epoxy, is approximately 18 inches tall, and its radius is 19 inches. It has a turntable built into it so that it can be rotated easily.

Add to cart
Original Artwork
"Hootie"
Add to wishlist Add to wishlist
Compare
Add to cart
Quick view

“Hootie”

 $450.00

“Hootie”
“Hootie” is an original mono-color acrylic on a 16X20 inch gallery-wrapped canvas. It has been wired and is ready to be hung on your wall.
This painting draws the most attention when hung in a show.

Add to cart

Related Products

    Original Artwork
    "The Last Hunt"
    Add to wishlist Add to wishlist
    Compare
    Add to cart
    Quick view

    “The Last Hunt”

     $1,250.00

    The Last Hunt
    Upon arriving in the Ohio Country, the Delaware Tribes formed alliances with Frenchmen engaged in the fur trade. The French provided the natives with European cookware and guns, as well as alcohol, in return for furs. The French and British colonists struggled for control of the Ohio Country beginning in the 1740s, and as the British gained control of the Ohio Country, the Delawares chose to ally themselves with the stronger party. This was the case until the French abandoned all of their North American colonies to Britain. The Delawares thereafter remained loyal to the British and the American colonists until the American Revolution.
    “The Last Hunt” depicts a hunting party of Delaware Indians in their final days before they were displaced to the Oklahoma Territory. The old chief and his party are having a good hunt in what is now the Mohican State Park in Ohio. It will be their “Last Hunt before their way of life changes forever.
    This acrylic painting is on a 36 X 36 X 1 gallery-wrapped canvas, and may be hung without framing.

    Add to cart
    Original Artwork
    "Tuscarora Adoption"
    Add to wishlist Add to wishlist
    Compare
    Add to cart
    Quick view

    “Tuscarora Adoption”

     $1,500.00

    The Tuscarora Adoption Ceremony
    In late 17th and early 18th-century North Carolina, colonists reported two primary branches of the Tuscarora. Varying accounts circa 1708-1710 estimated the number of Tuscarora warriors as from 1200-2000.
    The Tuscarora had to deal with more numerous colonists’ encroaching on his community. They raided his villages, kidnapped the people to be sold into slavery, suffered substantial population losses after exposure to the infectious diseases of the Europeans. By 1711, the Tuscarora Chief Hancock believed he had to attack the settlers to fight back. The Indian tribes attacked, killing hundreds of settlers, including several key political figures among the colonists.
    The North Carolina militia, and allied Native Americans, attacked the Tuscarora in 1712 and 1713.the Tuscaroras were defeated in the battle of 1713, and 1500 Tuscarora fled to New York to join the Iroquois Confederacy. The Haudenosaunee (Iroquois) Five Nations of New York were more than happy to accommodate their distant cousins as the “Sixth Nation”, and in 1722 adopted them into their Confederacy.
    This is the premise around which the “Tuscarora Adoption Ceremony” was created.
    The size of the original is 36 X 40 and is painted on stretched canvas.
    $1500

    Add to cart
    Original Artwork
    "Ghost Drums"
    Add to wishlist Add to wishlist
    Compare
    Add to cart
    Quick view

    “Ghost Drums”

     $750.00

    Ghost Drums
    The basis for the Ghost Dance is the circle dance, a traditional dance done by many Native Americans. The Ghost Dance was first practiced by the Nevada Northern Paiute in 1889. The practice swept throughout much of the Western United States, quickly reaching areas of California and Oklahoma. As the Ghost Dance spread from its original source, different tribes synthesized selective aspects of the ritual with their own beliefs.
    The Ghost Dance was associate(Wovoka’s) prophecy of an end to white expansion while preaching goals of clean living, an honest life, and cross-cultural cooperation by Indians. Practice of the Ghost Dance movement was believed to have contributed to Lakota resistance to assimilation under the Dawes Act.

    Add to cart
    Original Artwork
    "Red Cloud" (Lakota Chief)
    Add to wishlist Add to wishlist
    Compare
    Add to cart
    Quick view

    “Red Cloud” (Lakota Chief)

     $650.00

    Red Cloud (Lakota: Maȟpíya Lúta) (born 1822 – December 10, 1909) was one of the most important leaders of the Oglala Lakota from 1868 to 1909. He was one of the most capable Native American opponents that the United States Army faced in its mission to occupy the western territories, defeating the United States during Red Cloud’s War, which was a fight over control of the Powder River Country in northeastern Wyoming and southern Montana. The largest action of the war was the Fetterman Fight, with 81 U.S soldiers killed, and was the worst military defeat suffered by the United States Army on the Great Plains until the Battle of the Little Bighorn ten years later.
    After signing the Treaty of Fort Laramie (1868), Red Cloud led his people in the important transition to reservation life.
    This original acrylic painting is on an 18 X 24 gallery-wrapped canvas, and is a Raw Umber Mono-color.

    Add to cart
    Original Artwork
    "Ten Horse Team on the Overland Trail"
    Add to wishlist Add to wishlist
    Compare
    Add to cart
    Quick view

    “Ten Horse Team on the Overland Trail”

     $950.00

    Ten Horse Team on the Overland Trail
    The Overland Trail (also known as the “Overland Stage Line”) was a stagecoach and wagon trail in the American West during the 19th century. While portions of the route had been used by explorers and trappers since the 1820s, the Overland Trail was most heavily used in the 1860s as an alternative route to the Oregon, California, and Utan trails through central Wyoming. The Overland Trail was famously used by the Overland Stage Company owned by Ben Holladay to run mail and passengers to Salt Lake City, Utah, via stagecoaches in the early 1860s. The stage line operated until 1869 when the completion of the First Transcontinental Railroad eliminated the need for mail service via stagecoach.
    The original “Ten Horse Team” is an acrylic painting on a 2 X 4 foot canvas

    Add to cart
    Original Artwork
    "Nampeyo" The Potter
    Add to wishlist Add to wishlist
    Compare
    Add to cart
    Quick view

    “Nampeyo” The Potter

     $650.00

    Nampeyo (1859 –1942) was a Hopi-Tewa potter who lived on the Hopi Reservation in Arizona. Her Tewa name was also spelled Num-pa-yu, meaning “snake that does not bite”.She used ancient techniques for making and firing pottery and used designs from “Old Hopi” pottery and sherds found at 15th-century Sikyátki ruins on First Mesa.A world record for Southwest American Indian pottery was declared at Bonhams Auction House in San Francisco on December 6, 2010, when one of Nampeyo’s art works, a decorated ceramic pot, sold for $350,000.
    This monocolor is an acrylic painting on a 16X20 gallery-wrapped canvas.

    Add to cart