$450.00
“One Damn Thing After Another”
In Yellowstone National Park, Wolves are more successful killing elk than bison. However, in late winter when bison were vulnerable because of poor condition or of bison that were injured or young, wolves learned to kill bison.
In this sculpture, considering the wolf being trampled, and the one being gored, it would appear that the outcome is far from certain.
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“One Damn Thing After Another”
In Yellowstone National Park, Wolves are more successful killing elk than bison. However, in late winter when bison were vulnerable because of poor condition or of bison that were injured or young, wolves learned to kill bison.
In this sculpture, considering the wolf being trampled, and the one being gored, it would appear that the outcome is far from certain.
“Catch of the Day”
The American Bald Eagle (Haliaeetus leucocephalus) is a majestic bird of prey and the national symbol of the United States. Known for its striking white head and tail feathers, the bald eagle is a powerful and skilled hunter, particularly adept at fishing.
Bald eagles have eyesight that is four to eight times sharper than that of humans. This incredible vision allows them to spot fish swimming beneath the water’s surface from great heights.
Bald eagles often hunt by soaring high above water bodies, scanning for fish. Once they spot a target, they dive at high speeds, extending their talons forward to grab the fish just below the water’s surface.
This sculpture is of a Bald Eagle at the moment it snatches a fish from the water.
The piece is the original and sculpted in two-part epoxy, is approximately 16 inches high with a radius of 14 inches, and has a built in turntable so it can be rotated without sliding it on your furnature.
“Counting Coupe”
Among the Plains Indians of North America, counting coup involved the winning of prestige against an enemy. Native American warriors won prestige by acts of bravery in the face of the enemy, which could be recorded in various ways and retold as stories. Any blow struck against the enemy counted as a coup, but the most prestigious acts included touching an enemy warrior with a hand, bow, or coup stick.
Counting coup could also involve stealing an enemy’s horses tied up to his lodge in camp. Risk of injury or death was required to count coup. Escaping unharmed while counting coup was considered a higher honor than being wounded in the attempt.
After a battle or exploit, the people of a band would gather together to recount their acts of bravery and “count coup”.
Nampeyo (1859 –1942) was a Hopi-Tewa potter who lived on the Hopi Reservation in Arizona. Her Tewa name was also spelled Num-pa-yu, meaning “snake that does not bite”.She used ancient techniques for making and firing pottery and used designs from “Old Hopi” pottery and sherds found at 15th-century Sikyátki ruins on First Mesa.A world record for Southwest American Indian pottery was declared at Bonhams Auction House in San Francisco on December 6, 2010, when one of Nampeyo’s art works, a decorated ceramic pot, sold for $350,000.
This monocolor is an acrylic painting on a 16X20 gallery-wrapped canvas.
Cheyenne Elder
Between 1900 and 1930, Edward Curtis traveled deep into Indian territories and lived among dozens of Native tribes. He captured the authentic ways of life of over 80 Native cultures. One of his photographs was the reference for this acrylic mono-color. I see this old man, thinking that his way of life that he knew in his early life was gone forever, and would never return.
The size of this original is painted on a 16X20X1 stretched canvas. It is a mono-color using only raw umber acrylic paint
The Tuscarora Adoption Ceremony
In late 17th and early 18th-century North Carolina, colonists reported two primary branches of the Tuscarora. Varying accounts circa 1708-1710 estimated the number of Tuscarora warriors as from 1200-2000.
The Tuscarora had to deal with more numerous colonists’ encroaching on his community. They raided his villages, kidnapped the people to be sold into slavery, suffered substantial population losses after exposure to the infectious diseases of the Europeans. By 1711, the Tuscarora Chief Hancock believed he had to attack the settlers to fight back. The Indian tribes attacked, killing hundreds of settlers, including several key political figures among the colonists.
The North Carolina militia, and allied Native Americans, attacked the Tuscarora in 1712 and 1713.the Tuscaroras were defeated in the battle of 1713, and 1500 Tuscarora fled to New York to join the Iroquois Confederacy. The Haudenosaunee (Iroquois) Five Nations of New York were more than happy to accommodate their distant cousins as the “Sixth Nation”, and in 1722 adopted them into their Confederacy.
This is the premise around which the “Tuscarora Adoption Ceremony” was created.
The size of the original is 36 X 40 and is painted on stretched canvas.
$1500
Back in the late nineties, I was into wood carving, “Big Time”!!! “Fox Cubs” is one of a very few carvings that still remain in inventory. It is carved from the wood that “The Chase” was. This might be your last chance to purchase a Robert Walker original wood carving.
Back in the late nineties, I was into wood carving, “Big Time”!!! “Fox Cubs” is one of a very few carvings that still remain in inventory. It is carved from the wood that “The Chase” was. This might be your last chance to purchase a Robert Walker original wood carving.
“The Chase”
This woodcarving was carved from a single wild cherry tree. The trunk was sawed into 5 inch planks, kiln dried, surfaced, then reassembled into a 14 X 16 X 24 inch carving block
The actual carving began in July of 1995, and was completed in early November of that year.
I entered the carving in the Dayton Woodcarving Show, it was accepted, and won a blue ribbon in the competition.
After the Civil War, buffalo killing went into high gear.
The combination of guns, railroads, commercial activity, and war between European settlers and American Indians proved deadly to the species. There was a huge market for buffalo skins and hides in the Northeast United States and Europe. A good buffalo skin would sell for $3 in Kansas, and a finished buffalo-hide winter coat would sell for $50. Buffalo leather was also well suited and in high demand for the belts used in pulleys and for steam engines in factories of the time.
Given the scope of this carnage, some hunters, including Buffalo Bill Cody, spoke out in favor of protecting the bison, but President Ulysses S. Grant refused to sign legislation to that effect. The U.S. Army encouraged the excessive killing of buffalo as a way of eliminating food supplies for Indian communities, enabling them to starve Indians off their land and onto reservations.
In the spring of 1886, a taxidermist from the Smithsonian, Hornaday, and his team, headed to Montana to collect specimens for the museum. Hornaday was stunned to find no live buffalo on the plains, only thousands of skeletons bleaching in the sun. The impact of killing some of the last buffalo was not lost on Hornaday, and he began to think about how to save the species.
The conservation of the bison had begun.
This is a polymer clay sculpture. It has been painted to a Faux Bronze finish. It is on a 12 inch circular wooden base. The overall dimensions are 18 X 12 X 12 inches.
“The tribes of the Dakota before European contact in the 1600 lived in the region around Lake Superior. In this forest environment, they lived by hunting, fishing, and gathering wild rice. They also grew some corn, but their locale was near the limit of where corn could be grown.”
European expansion in the east pushed the Lakota west onto the Great Plains in the mid- to late-17th century.
This is when the Lakota began to domesticate the horse which was a major change to the way they defined themselves. They became more nomadic as they followed the great bison herds that roamed the Great plains
This sculpture is of a Lakota Chief, is made of polymer clays and the overall size is 23 X 16 X 16.
Majestic Encounter: Cheyenne Warrior and Bison
Immerse yourself in the rich heritage and relentless spirit of the Great Plains with this stunning wall hanging sculpture. Capturing a pivotal moment in the life of the Cheyenne people, this piece features a valiant Cheyenne warrior astride a powerful horse, poised to bring down a mighty bison. The intricate details and dynamic composition vividly portray the warrior’s unwavering determination and skill as he hunts to secure vital provisions for the tribe’s winter sustenance. This artwork is not just a depiction of a hunt; it’s a tribute to the resilience, bravery, and timeless traditions of the Cheyenne Nation. A compelling addition to any collection, this sculpture invites you to witness the raw energy and profound connection between man, animal, and the land they both call home.
This is an original sculpture of a Cheyenne Warrior on horseback, about to bring down a running bison. The piece is done in two-part epoxy and is designed as a wall hanging.
Bison breed in the summer. Male bison compete for mating rights, butting heads with other bulls. In these competitions, male bison may also lower their heads, paw at the ground, and emit a bellow which can be heard up to three miles away. This sculpture is called “Buttin’ Heads”, and was completed in late September of 2024.
The overall size is 23 inches long, 12 inches wide, and 12 inches high. It was designed to set on a shelf in your living room or studio, or better yet, on the mantle of your fireplace. It was sculpted using a two-part epoxy, and is coated with three colors of metallic wax. The sculpture is an original work by Robert M Walker, and is one of a kind. Your Friends will be amazed!!!
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