$450.00
“One Damn Thing After Another”
In Yellowstone National Park, Wolves are more successful killing elk than bison. However, in late winter when bison were vulnerable because of poor condition or of bison that were injured or young, wolves learned to kill bison.
In this sculpture, considering the wolf being trampled, and the one being gored, it would appear that the outcome is far from certain.
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“One Damn Thing After Another”
In Yellowstone National Park, Wolves are more successful killing elk than bison. However, in late winter when bison were vulnerable because of poor condition or of bison that were injured or young, wolves learned to kill bison.
In this sculpture, considering the wolf being trampled, and the one being gored, it would appear that the outcome is far from certain.
Geronimo was a Bedonkohe Apache leader of the Chiricahua Apache, who led his people’s defense of their homeland against the military might of the United States.
“Geronimo”
Geronimo was an Apache leader who continued the tradition of the Apaches resisting white colonization of their homeland in the Southwest, participating in raids into Sonora and Chihuahua in Mexico. After years of war, Geronimo finally surrendered to U.S. troops in 1886. While he became a celebrity, he spent the last two decades of his life as a prisoner of war.
This 16 X 20 mono-color painting is of Geronimo in his last years, maybe thinking of his days in Arizona, fighting for his tribal lands.
Bison Bull SKU-AN04Truth be told; I had a blank canvas and no clear direction when I painted this. Having said that- – – – Here it is!!!
Description:This is an acrylic painting on a 16X20 gallery wrapped canvas. The great part is that the painting is an original, and this means it is a “One-of-a-Kind”. No one else can get one.$450
Red Cloud (Lakota: Maȟpíya Lúta) (born 1822 – December 10, 1909) was one of the most important leaders of the Oglala Lakota from 1868 to 1909. He was one of the most capable Native American opponents that the United States Army faced in its mission to occupy the western territories, defeating the United States during Red Cloud’s War, which was a fight over control of the Powder River Country in northeastern Wyoming and southern Montana. The largest action of the war was the Fetterman Fight, with 81 U.S soldiers killed, and was the worst military defeat suffered by the United States Army on the Great Plains until the Battle of the Little Bighorn ten years later.
After signing the Treaty of Fort Laramie (1868), Red Cloud led his people in the important transition to reservation life.
This original acrylic painting is on an 18 X 24 gallery-wrapped canvas, and is a Raw Umber Mono-color.
The Last Hunt
Upon arriving in the Ohio Country, the Delaware Tribes formed alliances with Frenchmen engaged in the fur trade. The French provided the natives with European cookware and guns, as well as alcohol, in return for furs. The French and British colonists struggled for control of the Ohio Country beginning in the 1740s, and as the British gained control of the Ohio Country, the Delawares chose to ally themselves with the stronger party. This was the case until the French abandoned all of their North American colonies to Britain. The Delawares thereafter remained loyal to the British and the American colonists until the American Revolution.
“The Last Hunt” depicts a hunting party of Delaware Indians in their final days before they were displaced to the Oklahoma Territory. The old chief and his party are having a good hunt in what is now the Mohican State Park in Ohio. It will be their “Last Hunt before their way of life changes forever.
This acrylic painting is on a 36 X 36 X 1 gallery-wrapped canvas, and may be hung without framing.
Bison breed in the summer. Male bison compete for mating rights, butting heads with other bulls. In these competitions, male bison may also lower their heads, paw at the ground, and emit a bellow which can be heard up to three miles away. This sculpture is called “Buttin’ Heads”, and was completed in late September of 2024.
The overall size is 23 inches long, 12 inches wide, and 12 inches high. It was designed to set on a shelf in your living room or studio, or better yet, on the mantle of your fireplace. It was sculpted using a two-part epoxy, and is coated with three colors of metallic wax. The sculpture is an original work by Robert M Walker, and is one of a kind. Your Friends will be amazed!!!
Puckshinwa “Shawnee War Chief”
Puckshinwa, meaning “alights from flying”, was a Shawnee War Chief of the Kispoko during Pontiac’s Rebellion.
Pucksinewah was father to Tecumseh, a Shawnee chief and warrior who promoted resistance to the expansion of the United States onto Native American lands. A persuasive orator, Tecumseh traveled widely, forming a Native American Confederacy and promoting intertribal unity. Even though his efforts to unite Native Americans ended with his death in the War of 1812, he became an iconic folk hero in American, Indigenous, and Canadian popular history.
Puckshinwa “Shawnee War Chief”
Puckshinwa, meaning “alights from flying”, was a Shawnee War Chief of the Kispoko during Pontiac’s Rebellion.
Pucksinewah was father to Tecumseh, a Shawnee chief and warrior who promoted resistance to the expansion of the United States onto Native American lands. A persuasive orator, Tecumseh traveled widely, forming a Native American Confederacy and promoting intertribal unity. Even though his efforts to unite Native Americans ended with his death in the War of 1812, he became an iconic folk hero in American, Indigenous, and Canadian popular history.
“Counting Coupe”
Description:Among the Plains Indians of North America, counting coupe is the warrior tradition of winning prestige against an enemy in battle. It is one of the traditional ways of showing bravery in the face of an enemy and involves intimidating him, and, it is hoped, persuading him to admit defeat, without having to kill him. If the coupe is considered worthy by the tribe elders, the warrior is awarded an “Eagle Feather”.
This Sculpture is of a warrior riding back into camp after stealing four horses. Maybe he will get an “Eagle Feather”.
Historical Context: Among the Plains Indians of North America, “Counting Coup is the warrior tradition of winning prestige against an enemy in battle. It is one of the traditional ways of showing bravery in the face of an enemy and involves intimidating him, and, it is hoped, persuading him to admit defeat, without having to kill him. These victories may then be remembered, recorded, and recounted as part of the community’s oral, written, or pictorial histories.
Medium: Two-part epoxy with a Faux Bronze finish, mounted on a 12-inch circular base that rotates which allows the sculpture to be easily turned.
Dimensions: 18 x 12 x 12 inches.
Majestic Encounter: Cheyenne Warrior and Bison
Immerse yourself in the rich heritage and relentless spirit of the Great Plains with this stunning wall hanging sculpture. Capturing a pivotal moment in the life of the Cheyenne people, this piece features a valiant Cheyenne warrior astride a powerful horse, poised to bring down a mighty bison. The intricate details and dynamic composition vividly portray the warrior’s unwavering determination and skill as he hunts to secure vital provisions for the tribe’s winter sustenance. This artwork is not just a depiction of a hunt; it’s a tribute to the resilience, bravery, and timeless traditions of the Cheyenne Nation. A compelling addition to any collection, this sculpture invites you to witness the raw energy and profound connection between man, animal, and the land they both call home.
This is an original sculpture of a Cheyenne Warrior on horseback, about to bring down a running bison. The piece is done in two-part epoxy and is designed as a wall hanging.
Scientists don’t know what characteristics bald eagles look for in potential mates or how the birds assess each other’s reproductive potential.
It’s known, however, that bald eagle pairs engage in a number of courtship rituals as they build their bond.
The most famous and recognizable of these rituals is the “cartwheel courtship flight,” in which two bald eagles will fly up high, lock talons and then get into a cartwheel spin as they fall toward the ground, breaking apart at the last minute.
This piece is sculpted in two-part epoxy, is approximately 18 inches tall, and its radius is 19 inches. It has a turntable built into it so that it can be rotated easily.
“Catch of the Day”
The American Bald Eagle (Haliaeetus leucocephalus) is a majestic bird of prey and the national symbol of the United States. Known for its striking white head and tail feathers, the bald eagle is a powerful and skilled hunter, particularly adept at fishing.
Bald eagles have eyesight that is four to eight times sharper than that of humans. This incredible vision allows them to spot fish swimming beneath the water’s surface from great heights.
Bald eagles often hunt by soaring high above water bodies, scanning for fish. Once they spot a target, they dive at high speeds, extending their talons forward to grab the fish just below the water’s surface.
This sculpture is of a Bald Eagle at the moment it snatches a fish from the water.
The piece is the original and sculpted in two-part epoxy, is approximately 16 inches high with a radius of 14 inches, and has a built in turntable so it can be rotated without sliding it on your furnature.
“The Chase”
This woodcarving was carved from a single wild cherry tree. The trunk was sawed into 5 inch planks, kiln dried, surfaced, then reassembled into a 14 X 16 X 24 inch carving block
The actual carving began in July of 1995, and was completed in early November of that year.
I entered the carving in the Dayton Woodcarving Show, it was accepted, and won a blue ribbon in the competition.
After the Civil War, buffalo killing went into high gear.
The combination of guns, railroads, commercial activity, and war between European settlers and American Indians proved deadly to the species. There was a huge market for buffalo skins and hides in the Northeast United States and Europe. A good buffalo skin would sell for $3 in Kansas, and a finished buffalo-hide winter coat would sell for $50. Buffalo leather was also well suited and in high demand for the belts used in pulleys and for steam engines in factories of the time.
Given the scope of this carnage, some hunters, including Buffalo Bill Cody, spoke out in favor of protecting the bison, but President Ulysses S. Grant refused to sign legislation to that effect. The U.S. Army encouraged the excessive killing of buffalo as a way of eliminating food supplies for Indian communities, enabling them to starve Indians off their land and onto reservations.
In the spring of 1886, a taxidermist from the Smithsonian, Hornaday, and his team, headed to Montana to collect specimens for the museum. Hornaday was stunned to find no live buffalo on the plains, only thousands of skeletons bleaching in the sun. The impact of killing some of the last buffalo was not lost on Hornaday, and he began to think about how to save the species.
The conservation of the bison had begun.
This is a polymer clay sculpture. It has been painted to a Faux Bronze finish. It is on a 12 inch circular wooden base. The overall dimensions are 18 X 12 X 12 inches.
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