“Red Cloud” (Lakota Chief)

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“The Last Hunt”
$1,250.00
The Last Hunt
Upon arriving in the Ohio Country, the Delaware Tribes formed alliances with Frenchmen engaged in the fur trade. The French provided the natives with European cookware and guns, as well as alcohol, in return for furs. The French and British colonists struggled for control of the Ohio Country beginning in the 1740s, and as the British gained control of the Ohio Country, the Delawares chose to ally themselves with the stronger party. This was the case until the French abandoned all of their North American colonies to Britain. The Delawares thereafter remained loyal to the British and the American colonists until the American Revolution.
“The Last Hunt” depicts a hunting party of Delaware Indians in their final days before they were displaced to the Oklahoma Territory. The old chief and his party are having a good hunt in what is now the Mohican State Park in Ohio. It will be their “Last Hunt before their way of life changes forever.
This acrylic painting is on a 36 X 36 X 1 gallery-wrapped canvas, and may be hung without framing.
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“Ten Horse Team on the Overland Trail”
$950.00
Ten Horse Team on the Overland Trail
The Overland Trail (also known as the “Overland Stage Line”) was a stagecoach and wagon trail in the American West during the 19th century. While portions of the route had been used by explorers and trappers since the 1820s, the Overland Trail was most heavily used in the 1860s as an alternative route to the Oregon, California, and Utan trails through central Wyoming. The Overland Trail was famously used by the Overland Stage Company owned by Ben Holladay to run mail and passengers to Salt Lake City, Utah, via stagecoaches in the early 1860s. The stage line operated until 1869 when the completion of the First Transcontinental Railroad eliminated the need for mail service via stagecoach.
The original “Ten Horse Team” is an acrylic painting on a 2 X 4 foot canvas
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“Geronimo’ Apache Ghief
$650.00
Geronimo was a Bedonkohe Apache leader of the Chiricahua Apache, who led his people’s defense of their homeland against the military might of the United States.
“Geronimo”
Geronimo was an Apache leader who continued the tradition of the Apaches resisting white colonization of their homeland in the Southwest, participating in raids into Sonora and Chihuahua in Mexico. After years of war, Geronimo finally surrendered to U.S. troops in 1886. While he became a celebrity, he spent the last two decades of his life as a prisoner of war.
This 16 X 20 mono-color painting is of Geronimo in his last years, maybe thinking of his days in Arizona, fighting for his tribal lands.
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“Tuscarora Adoption”
$1,500.00
The Tuscarora Adoption Ceremony
In late 17th and early 18th-century North Carolina, colonists reported two primary branches of the Tuscarora. Varying accounts circa 1708-1710 estimated the number of Tuscarora warriors as from 1200-2000.
The Tuscarora had to deal with more numerous colonists’ encroaching on his community. They raided his villages, kidnapped the people to be sold into slavery, suffered substantial population losses after exposure to the infectious diseases of the Europeans. By 1711, the Tuscarora Chief Hancock believed he had to attack the settlers to fight back. The Indian tribes attacked, killing hundreds of settlers, including several key political figures among the colonists.
The North Carolina militia, and allied Native Americans, attacked the Tuscarora in 1712 and 1713.the Tuscaroras were defeated in the battle of 1713, and 1500 Tuscarora fled to New York to join the Iroquois Confederacy. The Haudenosaunee (Iroquois) Five Nations of New York were more than happy to accommodate their distant cousins as the “Sixth Nation”, and in 1722 adopted them into their Confederacy.
This is the premise around which the “Tuscarora Adoption Ceremony” was created.
The size of the original is 36 X 40 and is painted on stretched canvas.
$1500
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“Nampeyo” The Potter
$650.00
Nampeyo (1859 –1942) was a Hopi-Tewa potter who lived on the Hopi Reservation in Arizona. Her Tewa name was also spelled Num-pa-yu, meaning “snake that does not bite”.She used ancient techniques for making and firing pottery and used designs from “Old Hopi” pottery and sherds found at 15th-century Sikyátki ruins on First Mesa.A world record for Southwest American Indian pottery was declared at Bonhams Auction House in San Francisco on December 6, 2010, when one of Nampeyo’s art works, a decorated ceramic pot, sold for $350,000.
This monocolor is an acrylic painting on a 16X20 gallery-wrapped canvas.
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“Ghost Drums”
$750.00
Ghost Drums
The basis for the Ghost Dance is the circle dance, a traditional dance done by many Native Americans. The Ghost Dance was first practiced by the Nevada Northern Paiute in 1889. The practice swept throughout much of the Western United States, quickly reaching areas of California and Oklahoma. As the Ghost Dance spread from its original source, different tribes synthesized selective aspects of the ritual with their own beliefs.
The Ghost Dance was associate(Wovoka’s) prophecy of an end to white expansion while preaching goals of clean living, an honest life, and cross-cultural cooperation by Indians. Practice of the Ghost Dance movement was believed to have contributed to Lakota resistance to assimilation under the Dawes Act.
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