Original Artwork

$750.00

“Counting Coupe”

“Counting Coupe”
Among the Plains Indians of North America, counting coup involved the winning of prestige against an enemy. Native American warriors won prestige by acts of bravery in the face of the enemy, which could be recorded in various ways and retold as stories. Any blow struck against the enemy counted as a coup, but the most prestigious acts included touching an enemy warrior with a hand, bow, or coup stick.
Counting coup could also involve stealing an enemy’s horses tied up to his lodge in camp. Risk of injury or death was required to count coup. Escaping unharmed while counting coup was considered a higher honor than being wounded in the attempt.
After a battle or exploit, the people of a band would gather together to recount their acts of bravery and “count coup”.

International Shipping: If you are outside the U.S., please contact us directly for a shipping quote.

1 in stock

Category:
Description

Description

“Counting Coupe”
Among the Plains Indians of North America, counting coup involved the winning of prestige against an enemy. Native American warriors won prestige by acts of bravery in the face of the enemy, which could be recorded in various ways and retold as stories. Any blow struck against the enemy counted as a coup, but the most prestigious acts included touching an enemy warrior with a hand, bow, or coup stick.
Counting coup could also involve stealing an enemy’s horses tied up to his lodge in camp. Risk of injury or death was required to count coup. Escaping unharmed while counting coup was considered a higher honor than being wounded in the attempt.
After a battle or exploit, the people of a band would gather together to recount their acts of bravery and “count coup”.

Reviews (0)

Reviews

There are no reviews yet.

Be the first to review ““Counting Coupe””

Your email address will not be published. Required fields are marked *

More Products

“Lion”

$125.00

“Lion” SKU-AN06
Occasionally I’ll have a void on my easel and nothing in my head, (The empty head happens a lot lately) so if I have some empty canvas/board around the studio, I’ll start painting.
Description:
It’s an original acrylic painting on an 8 X 10 canvas board and is designed to fit any standard 8 X 10 frame. If you have a “Gallery Wall” in your home, this would be a great addition to it.

“The Chase”

$2,500.00

“The Chase”
This woodcarving was carved from a single wild cherry tree. The trunk was sawed into 5 inch planks, kiln dried, surfaced, then reassembled into a 14 X 16 X 24 inch carving block
The actual carving began in July of 1995, and was completed in early November of that year.
I entered the carving in the Dayton Woodcarving Show, it was accepted, and won a blue ribbon in the competition.

“Nampeyo” The Potter

$650.00

Nampeyo (1859 –1942) was a Hopi-Tewa potter who lived on the Hopi Reservation in Arizona. Her Tewa name was also spelled Num-pa-yu, meaning “snake that does not bite”.She used ancient techniques for making and firing pottery and used designs from “Old Hopi” pottery and sherds found at 15th-century Sikyátki ruins on First Mesa.A world record for Southwest American Indian pottery was declared at Bonhams Auction House in San Francisco on December 6, 2010, when one of Nampeyo’s art works, a decorated ceramic pot, sold for $350,000.
This monocolor is an acrylic painting on a 16X20 gallery-wrapped canvas.

“Bison Bull with an Attitude”

$450.00

After the Civil War, buffalo killing went into high gear.
The combination of guns, railroads, commercial activity, and war between European settlers and American Indians proved deadly to the species. There was a huge market for buffalo skins and hides in the Northeast United States and Europe. A good buffalo skin would sell for $3 in Kansas, and a finished buffalo-hide winter coat would sell for $50. Buffalo leather was also well suited and in high demand for the belts used in pulleys and for steam engines in factories of the time.
Given the scope of this carnage, some hunters, including Buffalo Bill Cody, spoke out in favor of protecting the bison, but President Ulysses S. Grant refused to sign legislation to that effect. The U.S. Army encouraged the excessive killing of buffalo as a way of eliminating food supplies for Indian communities, enabling them to starve Indians off their land and onto reservations.
In the spring of 1886, a taxidermist from the Smithsonian, Hornaday, and his team, headed to Montana to collect specimens for the museum. Hornaday was stunned to find no live buffalo on the plains, only thousands of skeletons bleaching in the sun. The impact of killing some of the last buffalo was not lost on Hornaday, and he began to think about how to save the species.
The conservation of the bison had begun.

This is a polymer clay sculpture. It has been painted to a Faux Bronze finish. It is on a 12 inch circular wooden base. The overall dimensions are 18 X 12 X 12 inches.

“The Last Hunt”

$1,250.00

The Last Hunt
Upon arriving in the Ohio Country, the Delaware Tribes formed alliances with Frenchmen engaged in the fur trade. The French provided the natives with European cookware and guns, as well as alcohol, in return for furs. The French and British colonists struggled for control of the Ohio Country beginning in the 1740s, and as the British gained control of the Ohio Country, the Delawares chose to ally themselves with the stronger party. This was the case until the French abandoned all of their North American colonies to Britain. The Delawares thereafter remained loyal to the British and the American colonists until the American Revolution.
“The Last Hunt” depicts a hunting party of Delaware Indians in their final days before they were displaced to the Oklahoma Territory. The old chief and his party are having a good hunt in what is now the Mohican State Park in Ohio. It will be their “Last Hunt before their way of life changes forever.
This acrylic painting is on a 36 X 36 X 1 gallery-wrapped canvas, and may be hung without framing.

This product has multiple variants. The options may be chosen on the product page

“Final Approach”

Final Approach
This is a pair of Sandhill Cranes coming in on the “Final Approach” for a landing. This original pencil drawing is 15X15 inches and is drawn on archival paper. The size of the framed piece is 22X24 inches The pencil drawing has been double matted in grays, and backed with Foam-core. It is framed in black metal, and covered in non-glare glass.

This product has multiple variants. The options may be chosen on the product page