Original Artwork
Click to enlarge
Prev
"Geronimo' Apache Ghief
"Geronimo' Apache Ghief
$650.00
Go to Shop
Next
"Nampeyo" The Potter
"Nampeyo" The Potter
$650.00

$750.00

“Counting Coupe”

“Counting Coupe”
Among the Plains Indians of North America, counting coup involved the winning of prestige against an enemy. Native American warriors won prestige by acts of bravery in the face of the enemy, which could be recorded in various ways and retold as stories. Any blow struck against the enemy counted as a coup, but the most prestigious acts included touching an enemy warrior with a hand, bow, or coup stick.
Counting coup could also involve stealing an enemy’s horses tied up to his lodge in camp. Risk of injury or death was required to count coup. Escaping unharmed while counting coup was considered a higher honor than being wounded in the attempt.
After a battle or exploit, the people of a band would gather together to recount their acts of bravery and “count coup”.

International Shipping: If you are outside the U.S., please contact us directly for a shipping quote.

1 in stock

Add to wishlist Add to wishlist
Compare
Category:
Description

Description

“Counting Coupe”
Among the Plains Indians of North America, counting coup involved the winning of prestige against an enemy. Native American warriors won prestige by acts of bravery in the face of the enemy, which could be recorded in various ways and retold as stories. Any blow struck against the enemy counted as a coup, but the most prestigious acts included touching an enemy warrior with a hand, bow, or coup stick.
Counting coup could also involve stealing an enemy’s horses tied up to his lodge in camp. Risk of injury or death was required to count coup. Escaping unharmed while counting coup was considered a higher honor than being wounded in the attempt.
After a battle or exploit, the people of a band would gather together to recount their acts of bravery and “count coup”.

Reviews (0)

Reviews

There are no reviews yet.

Be the first to review ““Counting Coupe””

Your email address will not be published. Required fields are marked *

More Products
Original Artwork
"Hunters Moon"
Add to wishlist Add to wishlist
Compare
Add to cart
Quick view

“Hunters Moon”

 $450.00

Hunters Moon
The full moon that appears in October is called the Hunters Moon. The first moon after the Harvest Moon is the Hunters Moon, so named as the preferred month to hunt summer-fattened deer and fox unable to hide in now bare fields. Like the Harvest Moon, the Hunters Moon is also particularly bright and long in the sky, giving hunters the opportunity to stalk prey at night. Probably because of the threat of winter looming close, the “Hunters Moon” is generally accorded with special honor, historically serving as an important feast day in both Western Europe and among many Native American tribes.
“Hunter’s Moon” is an original acrylic painting on a 16 X 20 inch panel.

Add to cart
Original Artwork
"Where Eagles Fly"
Add to wishlist Add to wishlist
Compare
Add to cart
Quick view

“Where Eagles Fly”

 $750.00

The Eagles of Kachemak Bay in Alaska congregate in this area due to the fact that the lakes of their ‘home territories’  are frozen over.  They assemble at this location to feast on the waterfowl that congregate here as well as for the fish in the bay.
This acrylic painting of Bald Eagles in flight over Kachemak Bay, Alaska, is an original acrylic painting on a 36 X 24 inch canvas, and is gallery-wrapped.

Add to cart
Original Artwork
"Majestic Encounter: Cheyenne Warrior and Bison"
Add to wishlist Add to wishlist
Compare
Add to cart
Quick view

“Majestic Encounter: Cheyenne Warrior and Bison”

 $1,500.00

Majestic Encounter: Cheyenne Warrior and Bison
Immerse yourself in the rich heritage and relentless spirit of the Great Plains with this stunning wall hanging sculpture. Capturing a pivotal moment in the life of the Cheyenne people, this piece features a valiant Cheyenne warrior astride a powerful horse, poised to bring down a mighty bison. The intricate details and dynamic composition vividly portray the warrior’s unwavering determination and skill as he hunts to secure vital provisions for the tribe’s winter sustenance. This artwork is not just a depiction of a hunt; it’s a tribute to the resilience, bravery, and timeless traditions of the Cheyenne Nation. A compelling addition to any collection, this sculpture invites you to witness the raw energy and profound connection between man, animal, and the land they both call home.
This is an original sculpture of a Cheyenne Warrior on horseback, about to bring down a running bison. The piece is done in two-part epoxy and is designed as a wall hanging.

Add to cart
Original Artwork
"Big Horn" Original acrylic on an 8X10 canvas board
Add to wishlist Add to wishlist
Compare
Add to cart
Quick view

“Big Horn” Original acrylic on an 8X10 canvas board

 $125.00

Big Horn Sheep SKU-AN05
The bighorn sheep is a species of sheep native to North America. It is named for its large horns. A pair of horns might weigh up to 30 pounds, and the sheep typically weigh up to 315 lbs. The sheep originally crossed into North America over the Bering Land Bridge from Siberia. The population in North America peaks in the millions, and the bighorn sheep entered into the mythology of Native Americans.
The Sheep Eaters (named after their staple diet), or “Tukudeka”, lived high in mountain fastnesses favored also by the bighorn sheep they ate. They were a branch of the Shoshone. Both Indians and sheep found a precarious niche in rugged mountain country at higher altitudes.
Description:
It’s an original acrylic painting on an 8 X 10 canvas board and is designed to fit any standard 8 X 10 frame. If you have a “Gallery Wall” in your home, this would be a great addition to it.

Add to cart
Original Artwork
"Lunch" (Kestrel and Grasshopper)
Add to wishlist Add to wishlist
Compare
Add to cart
Quick view

“Lunch” (Kestrel and Grasshopper)

 $750.00

“Lunch”
North America’s smallest falcon, the American Kestrel packs a predator’s fierce intensity into its small body. It’s one of the most colorful of all raptors: the male’s slate-blue head and wings contrast elegantly with his rusty-red back and tail; the female has the same warm reddish on her wings, back, and tail. Hunting for insects and other small prey in open territory, kestrels perch on wires or poles, or hover facing into the wind, flapping and adjusting their long tails to stay in place.
This is an original acrylic painting on a gallery-wrapped canvas. It’s overall size is 36 X 18 inches. There is nothing covering the canvas.

Add to cart
Original Artwork
"Nampeyo" The Potter
Add to wishlist Add to wishlist
Compare
Add to cart
Quick view

“Nampeyo” The Potter

 $650.00

Nampeyo (1859 –1942) was a Hopi-Tewa potter who lived on the Hopi Reservation in Arizona. Her Tewa name was also spelled Num-pa-yu, meaning “snake that does not bite”.She used ancient techniques for making and firing pottery and used designs from “Old Hopi” pottery and sherds found at 15th-century Sikyátki ruins on First Mesa.A world record for Southwest American Indian pottery was declared at Bonhams Auction House in San Francisco on December 6, 2010, when one of Nampeyo’s art works, a decorated ceramic pot, sold for $350,000.
This monocolor is an acrylic painting on a 16X20 gallery-wrapped canvas.

Add to cart

Related Products

    Original Artwork
    "Ten Horse Team on the Overland Trail"
    Add to wishlist Add to wishlist
    Compare
    Add to cart
    Quick view

    “Ten Horse Team on the Overland Trail”

     $950.00

    Ten Horse Team on the Overland Trail
    The Overland Trail (also known as the “Overland Stage Line”) was a stagecoach and wagon trail in the American West during the 19th century. While portions of the route had been used by explorers and trappers since the 1820s, the Overland Trail was most heavily used in the 1860s as an alternative route to the Oregon, California, and Utan trails through central Wyoming. The Overland Trail was famously used by the Overland Stage Company owned by Ben Holladay to run mail and passengers to Salt Lake City, Utah, via stagecoaches in the early 1860s. The stage line operated until 1869 when the completion of the First Transcontinental Railroad eliminated the need for mail service via stagecoach.
    The original “Ten Horse Team” is an acrylic painting on a 2 X 4 foot canvas

    Add to cart
    Original Artwork
    "The Healing"
    Add to wishlist Add to wishlist
    Compare
    Add to cart
    Quick view

    “The Healing”

     $750.00

    The Healing
    The False Face Society is probably the best known of the medicinal societies among the Iroquois, especially for its dramatic wooden masks. The masks are used in healing rituals which invoke the spirit of an old hunch-backed man. Those cured by the society become members. Also, echoing the significance of dreams to the Iroquois, anyone who dreams that they should be a member of the society may join.
    The size of the original is 16X20 and is painted on a stretched canvas.

    Add to cart
    Original Artwork
    "Tuscarora Adoption"
    Add to wishlist Add to wishlist
    Compare
    Add to cart
    Quick view

    “Tuscarora Adoption”

     $1,500.00

    The Tuscarora Adoption Ceremony
    In late 17th and early 18th-century North Carolina, colonists reported two primary branches of the Tuscarora. Varying accounts circa 1708-1710 estimated the number of Tuscarora warriors as from 1200-2000.
    The Tuscarora had to deal with more numerous colonists’ encroaching on his community. They raided his villages, kidnapped the people to be sold into slavery, suffered substantial population losses after exposure to the infectious diseases of the Europeans. By 1711, the Tuscarora Chief Hancock believed he had to attack the settlers to fight back. The Indian tribes attacked, killing hundreds of settlers, including several key political figures among the colonists.
    The North Carolina militia, and allied Native Americans, attacked the Tuscarora in 1712 and 1713.the Tuscaroras were defeated in the battle of 1713, and 1500 Tuscarora fled to New York to join the Iroquois Confederacy. The Haudenosaunee (Iroquois) Five Nations of New York were more than happy to accommodate their distant cousins as the “Sixth Nation”, and in 1722 adopted them into their Confederacy.
    This is the premise around which the “Tuscarora Adoption Ceremony” was created.
    The size of the original is 36 X 40 and is painted on stretched canvas.
    $1500

    Add to cart
    Original Artwork
    "Nampeyo" The Potter
    Add to wishlist Add to wishlist
    Compare
    Add to cart
    Quick view

    “Nampeyo” The Potter

     $650.00

    Nampeyo (1859 –1942) was a Hopi-Tewa potter who lived on the Hopi Reservation in Arizona. Her Tewa name was also spelled Num-pa-yu, meaning “snake that does not bite”.She used ancient techniques for making and firing pottery and used designs from “Old Hopi” pottery and sherds found at 15th-century Sikyátki ruins on First Mesa.A world record for Southwest American Indian pottery was declared at Bonhams Auction House in San Francisco on December 6, 2010, when one of Nampeyo’s art works, a decorated ceramic pot, sold for $350,000.
    This monocolor is an acrylic painting on a 16X20 gallery-wrapped canvas.

    Add to cart
    Original Artwork
    "Red Cloud" (Lakota Chief)
    Add to wishlist Add to wishlist
    Compare
    Add to cart
    Quick view

    “Red Cloud” (Lakota Chief)

     $650.00

    Red Cloud (Lakota: Maȟpíya Lúta) (born 1822 – December 10, 1909) was one of the most important leaders of the Oglala Lakota from 1868 to 1909. He was one of the most capable Native American opponents that the United States Army faced in its mission to occupy the western territories, defeating the United States during Red Cloud’s War, which was a fight over control of the Powder River Country in northeastern Wyoming and southern Montana. The largest action of the war was the Fetterman Fight, with 81 U.S soldiers killed, and was the worst military defeat suffered by the United States Army on the Great Plains until the Battle of the Little Bighorn ten years later.
    After signing the Treaty of Fort Laramie (1868), Red Cloud led his people in the important transition to reservation life.
    This original acrylic painting is on an 18 X 24 gallery-wrapped canvas, and is a Raw Umber Mono-color.

    Add to cart
    Original Artwork
    "Cheyenne Elder"
    Add to wishlist Add to wishlist
    Compare
    Add to cart
    Quick view

    “Cheyenne Elder”

     $650.00

    Cheyenne Elder
    Between 1900 and 1930, Edward Curtis traveled deep into Indian territories and lived among dozens of Native tribes. He captured the authentic ways of life of over 80 Native cultures. One of his photographs was the reference for this acrylic mono-color. I see this old man, thinking that his way of life that he knew in his early life was gone forever, and would never return.
    The size of this original is painted on a 16X20X1 stretched canvas. It is a mono-color using only raw umber acrylic paint

    Add to cart