$150.00
Back in the late nineties, I was into wood carving, “Big Time”!!! “Fox Cubs” is one of a very few carvings that still remain in inventory. It is carved from the wood that “The Chase” was. This might be your last chance to purchase a Robert Walker original wood carving.
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Back in the late nineties, I was into wood carving, “Big Time”!!! “Fox Cubs” is one of a very few carvings that still remain in inventory. It is carved from the wood that “The Chase” was. This might be your last chance to purchase a Robert Walker original wood carving.
Cheyenne Elder
Between 1900 and 1930, Edward Curtis traveled deep into Indian territories and lived among dozens of Native tribes. He captured the authentic ways of life of over 80 Native cultures. One of his photographs was the reference for this acrylic mono-color. I see this old man, thinking that his way of life that he knew in his early life was gone forever, and would never return.
The size of this original is painted on a 16X20X1 stretched canvas. It is a mono-color using only raw umber acrylic paint
Ten Point SKU-AN01
This ten pointer would make a great wall hanging that most hunters wait for all of their lives. This would be a great gift for the “Hunter” that has everything.
Description:
This is an acrylic painting on a 16X20 gallery wrapped canvas. The great part is that the painting is an original, and this means it is a “One-of-a-Kind”. No one else can get one.
$450
Bison breed in the summer. Male bison compete for mating rights, butting heads with other bulls. In these competitions, male bison may also lower their heads, paw at the ground, and emit a bellow which can be heard up to three miles away. This sculpture is called “Buttin’ Heads”, and was completed in late September of 2024.
The overall size is 23 inches long, 12 inches wide, and 12 inches high. It was designed to set on a shelf in your living room or studio, or better yet, on the mantle of your fireplace. It was sculpted using a two-part epoxy, and is coated with three colors of metallic wax. The sculpture is an original work by Robert M Walker, and is one of a kind. Your Friends will be amazed!!!
“To the Victor Go the Sorrels”
Each herd typically has a dominant stallion referred to as the “herd stallion” and a few other less dominant stallions. Interestingly, each herd is led not by the dominant stallion but by a dominant mare. This is similar to the way we humans do things.
This original acrylic painting by Robert Walker is on a 16X20 gallery-wrapped canvas.
Geronimo was a Bedonkohe Apache leader of the Chiricahua Apache, who led his people’s defense of their homeland against the military might of the United States.
“Geronimo”
Geronimo was an Apache leader who continued the tradition of the Apaches resisting white colonization of their homeland in the Southwest, participating in raids into Sonora and Chihuahua in Mexico. After years of war, Geronimo finally surrendered to U.S. troops in 1886. While he became a celebrity, he spent the last two decades of his life as a prisoner of war.
This 16 X 20 mono-color painting is of Geronimo in his last years, maybe thinking of his days in Arizona, fighting for his tribal lands.
“Lion” SKU-AN06
Occasionally I’ll have a void on my easel and nothing in my head, (The empty head happens a lot lately) so if I have some empty canvas/board around the studio, I’ll start painting.
Description:
It’s an original acrylic painting on an 8 X 10 canvas board and is designed to fit any standard 8 X 10 frame. If you have a “Gallery Wall” in your home, this would be a great addition to it.
“The tribes of the Dakota before European contact in the 1600 lived in the region around Lake Superior. In this forest environment, they lived by hunting, fishing, and gathering wild rice. They also grew some corn, but their locale was near the limit of where corn could be grown.”
European expansion in the east pushed the Lakota west onto the Great Plains in the mid- to late-17th century.
This is when the Lakota began to domesticate the horse which was a major change to the way they defined themselves. They became more nomadic as they followed the great bison herds that roamed the Great plains
This sculpture is of a Lakota Chief, is made of polymer clays and the overall size is 23 X 16 X 16.
“The Chase”
This woodcarving was carved from a single wild cherry tree. The trunk was sawed into 5 inch planks, kiln dried, surfaced, then reassembled into a 14 X 16 X 24 inch carving block
The actual carving began in July of 1995, and was completed in early November of that year.
I entered the carving in the Dayton Woodcarving Show, it was accepted, and won a blue ribbon in the competition.
After the Civil War, buffalo killing went into high gear.
The combination of guns, railroads, commercial activity, and war between European settlers and American Indians proved deadly to the species. There was a huge market for buffalo skins and hides in the Northeast United States and Europe. A good buffalo skin would sell for $3 in Kansas, and a finished buffalo-hide winter coat would sell for $50. Buffalo leather was also well suited and in high demand for the belts used in pulleys and for steam engines in factories of the time.
Given the scope of this carnage, some hunters, including Buffalo Bill Cody, spoke out in favor of protecting the bison, but President Ulysses S. Grant refused to sign legislation to that effect. The U.S. Army encouraged the excessive killing of buffalo as a way of eliminating food supplies for Indian communities, enabling them to starve Indians off their land and onto reservations.
In the spring of 1886, a taxidermist from the Smithsonian, Hornaday, and his team, headed to Montana to collect specimens for the museum. Hornaday was stunned to find no live buffalo on the plains, only thousands of skeletons bleaching in the sun. The impact of killing some of the last buffalo was not lost on Hornaday, and he began to think about how to save the species.
The conservation of the bison had begun.
This is a polymer clay sculpture. It has been painted to a Faux Bronze finish. It is on a 12 inch circular wooden base. The overall dimensions are 18 X 12 X 12 inches.
“One Damn Thing After Another”
In Yellowstone National Park, Wolves are more successful killing elk than bison. However, in late winter when bison were vulnerable because of poor condition or of bison that were injured or young, wolves learned to kill bison.
In this sculpture, considering the wolf being trampled, and the one being gored, it would appear that the outcome is far from certain.
Majestic Encounter: Cheyenne Warrior and Bison
Immerse yourself in the rich heritage and relentless spirit of the Great Plains with this stunning wall hanging sculpture. Capturing a pivotal moment in the life of the Cheyenne people, this piece features a valiant Cheyenne warrior astride a powerful horse, poised to bring down a mighty bison. The intricate details and dynamic composition vividly portray the warrior’s unwavering determination and skill as he hunts to secure vital provisions for the tribe’s winter sustenance. This artwork is not just a depiction of a hunt; it’s a tribute to the resilience, bravery, and timeless traditions of the Cheyenne Nation. A compelling addition to any collection, this sculpture invites you to witness the raw energy and profound connection between man, animal, and the land they both call home.
This is an original sculpture of a Cheyenne Warrior on horseback, about to bring down a running bison. The piece is done in two-part epoxy and is designed as a wall hanging.
“Counting Coupe”
Description:Among the Plains Indians of North America, counting coupe is the warrior tradition of winning prestige against an enemy in battle. It is one of the traditional ways of showing bravery in the face of an enemy and involves intimidating him, and, it is hoped, persuading him to admit defeat, without having to kill him. If the coupe is considered worthy by the tribe elders, the warrior is awarded an “Eagle Feather”.
This Sculpture is of a warrior riding back into camp after stealing four horses. Maybe he will get an “Eagle Feather”.
Historical Context: Among the Plains Indians of North America, “Counting Coup is the warrior tradition of winning prestige against an enemy in battle. It is one of the traditional ways of showing bravery in the face of an enemy and involves intimidating him, and, it is hoped, persuading him to admit defeat, without having to kill him. These victories may then be remembered, recorded, and recounted as part of the community’s oral, written, or pictorial histories.
Medium: Two-part epoxy with a Faux Bronze finish, mounted on a 12-inch circular base that rotates which allows the sculpture to be easily turned.
Dimensions: 18 x 12 x 12 inches.
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