Original Artwork
Click to enlarge
Prev
"Cheyenne Elder"
"Cheyenne Elder"
$650.00
Go to Shop
Next
"Geronimo' Apache Ghief
"Geronimo' Apache Ghief
$650.00

$750.00

“Ghost Drums”

Ghost Drums
The basis for the Ghost Dance is the circle dance, a traditional dance done by many Native Americans. The Ghost Dance was first practiced by the Nevada Northern Paiute in 1889. The practice swept throughout much of the Western United States, quickly reaching areas of California and Oklahoma. As the Ghost Dance spread from its original source, different tribes synthesized selective aspects of the ritual with their own beliefs.
The Ghost Dance was associate(Wovoka’s) prophecy of an end to white expansion while preaching goals of clean living, an honest life, and cross-cultural cooperation by Indians. Practice of the Ghost Dance movement was believed to have contributed to Lakota resistance to assimilation under the Dawes Act.

International Shipping: If you are outside the U.S., please contact us directly for a shipping quote.

Add to wishlist Add to wishlist
Compare
Category:
Description

Description

Ghost Drums
The basis for the Ghost Dance is the circle dance, a traditional dance done by many Native Americans. The Ghost Dance was first practiced by the Nevada Northern Paiute in 1889. The practice swept throughout much of the Western United States, quickly reaching areas of California and Oklahoma. As the Ghost Dance spread from its original source, different tribes synthesized selective aspects of the ritual with their own beliefs.
The Ghost Dance was associate(Wovoka’s) prophecy of an end to white expansion while preaching goals of clean living, an honest life, and cross-cultural cooperation by Indians. Practice of the Ghost Dance movement was believed to have contributed to Lakota resistance to assimilation under the Dawes Act.

Reviews (0)

Reviews

There are no reviews yet.

Be the first to review ““Ghost Drums””

Your email address will not be published. Required fields are marked *

More Products
Original Artwork
"Buttin' Heads" The Ritual
Add to wishlist Add to wishlist
Compare
Add to cart
Quick view

“Buttin’ Heads” The Ritual

 $550.00

Bison breed in the summer. Male bison compete for mating rights, butting heads with other bulls. In these competitions, male bison may also lower their heads, paw at the ground, and emit a bellow which can be heard up to three miles away. This sculpture is called “Buttin’ Heads”, and was completed in late September of 2024.
The overall size is 23 inches long, 12 inches wide, and 12 inches high. It was designed to set on a shelf in your living room or studio, or better yet, on the mantle of your fireplace. It was sculpted using a two-part epoxy, and is coated with three colors of metallic wax. The sculpture is an original work by Robert M Walker, and is one of a kind. Your Friends will be amazed!!!

Add to cart
Original Artwork
"Catch of the Day"
Add to wishlist Add to wishlist
Compare
Add to cart
Quick view

“Catch of the Day”

 $650.00

“Catch of the Day”
The American Bald Eagle (Haliaeetus leucocephalus) is a majestic bird of prey and the national symbol of the United States. Known for its striking white head and tail feathers, the bald eagle is a powerful and skilled hunter, particularly adept at fishing.
Bald eagles have eyesight that is four to eight times sharper than that of humans. This incredible vision allows them to spot fish swimming beneath the water’s surface from great heights.
Bald eagles often hunt by soaring high above water bodies, scanning for fish. Once they spot a target, they dive at high speeds, extending their talons forward to grab the fish just below the water’s surface.
This sculpture is of a Bald Eagle at the moment it snatches a fish from the water.
The piece is the original and sculpted in two-part epoxy, is approximately 16 inches high with a radius of 14 inches, and has a built in turntable so it can be rotated without sliding it on your furnature.

Add to cart
Original Artwork
"Final Approach"
Add to wishlist Add to wishlist
Compare
Add to cart
Quick view

“Final Approach”

 $450.00

Final Approach
This is a pair of Sandhill Cranes coming in on the “Final Approach” for a landing. This original pencil drawing is 15X15 inches and is drawn on archival paper. The size of the framed piece is 22X24 inches The pencil drawing has been double matted in grays, and backed with Foam-core. It is framed in black metal, and covered in non-glare glass.

Add to cart
Original Artwork
"Counting Coupe"
Add to wishlist Add to wishlist
Compare
Add to cart
Quick view

“Counting Coupe”

 $750.00

“Counting Coupe”
Among the Plains Indians of North America, counting coup involved the winning of prestige against an enemy. Native American warriors won prestige by acts of bravery in the face of the enemy, which could be recorded in various ways and retold as stories. Any blow struck against the enemy counted as a coup, but the most prestigious acts included touching an enemy warrior with a hand, bow, or coup stick.
Counting coup could also involve stealing an enemy’s horses tied up to his lodge in camp. Risk of injury or death was required to count coup. Escaping unharmed while counting coup was considered a higher honor than being wounded in the attempt.
After a battle or exploit, the people of a band would gather together to recount their acts of bravery and “count coup”.

Add to cart
Original Artwork
"Quoth the Raven"
Add to wishlist Add to wishlist
Compare
Add to cart
Quick view

“Quoth the Raven”

 $125.00

“Quoth the Raven”
This is an acrylic original on an 8X10 canvas board. Over the years, I have painted a variety of 8X10 original bird pairs. You will find other of these originals scattered throughout this Gallery. Eventually I plan to release prints of these in “Collections” under the name “Birds of the Air”. The Collections that will be available sometime in the future. This is one of the originals. All of these originals will fit a standard 8X10 frame of your choosing.

Add to cart
Original Artwork
"Cheyenne Elder"
Add to wishlist Add to wishlist
Compare
Add to cart
Quick view

“Cheyenne Elder”

 $650.00

Cheyenne Elder
Between 1900 and 1930, Edward Curtis traveled deep into Indian territories and lived among dozens of Native tribes. He captured the authentic ways of life of over 80 Native cultures. One of his photographs was the reference for this acrylic mono-color. I see this old man, thinking that his way of life that he knew in his early life was gone forever, and would never return.
The size of this original is painted on a 16X20X1 stretched canvas. It is a mono-color using only raw umber acrylic paint

Add to cart

Related Products

    Original Artwork
    "Nampeyo" The Potter
    Add to wishlist Add to wishlist
    Compare
    Add to cart
    Quick view

    “Nampeyo” The Potter

     $650.00

    Nampeyo (1859 –1942) was a Hopi-Tewa potter who lived on the Hopi Reservation in Arizona. Her Tewa name was also spelled Num-pa-yu, meaning “snake that does not bite”.She used ancient techniques for making and firing pottery and used designs from “Old Hopi” pottery and sherds found at 15th-century Sikyátki ruins on First Mesa.A world record for Southwest American Indian pottery was declared at Bonhams Auction House in San Francisco on December 6, 2010, when one of Nampeyo’s art works, a decorated ceramic pot, sold for $350,000.
    This monocolor is an acrylic painting on a 16X20 gallery-wrapped canvas.

    Add to cart
    Original Artwork
    "Sits With Thoughts" (Framed)
    Add to wishlist Add to wishlist
    Compare
    Add to cart
    Quick view

    “Sits With Thoughts” (Framed)

     $1,200.00

    “Sits with Thoughts” Framed Acrylic Painting
    Plenty Coups was the principal chief of the Crow Nation and a visionary leader.
    He allied the Crow with the whites when the war for the West was being fought because he had experienced a vision when he was very young that non-Native American people would ultimately take control of his homeland (Montana). He wanted the Crow to survive as a people and their customs and spiritual beliefs to carry on. His efforts on their behalf ensured that this happened, and he led his people peacefully into the 20th century.
    The Acrylic Painting is framed in a 38X28 inch frame and is ready to hang on your wall.

    Add to cart
    Original Artwork
    "Ten Horse Team on the Overland Trail"
    Add to wishlist Add to wishlist
    Compare
    Add to cart
    Quick view

    “Ten Horse Team on the Overland Trail”

     $950.00

    Ten Horse Team on the Overland Trail
    The Overland Trail (also known as the “Overland Stage Line”) was a stagecoach and wagon trail in the American West during the 19th century. While portions of the route had been used by explorers and trappers since the 1820s, the Overland Trail was most heavily used in the 1860s as an alternative route to the Oregon, California, and Utan trails through central Wyoming. The Overland Trail was famously used by the Overland Stage Company owned by Ben Holladay to run mail and passengers to Salt Lake City, Utah, via stagecoaches in the early 1860s. The stage line operated until 1869 when the completion of the First Transcontinental Railroad eliminated the need for mail service via stagecoach.
    The original “Ten Horse Team” is an acrylic painting on a 2 X 4 foot canvas

    Add to cart
    Original Artwork
    "Counting Coupe"
    Add to wishlist Add to wishlist
    Compare
    Add to cart
    Quick view

    “Counting Coupe”

     $750.00

    “Counting Coupe”
    Among the Plains Indians of North America, counting coup involved the winning of prestige against an enemy. Native American warriors won prestige by acts of bravery in the face of the enemy, which could be recorded in various ways and retold as stories. Any blow struck against the enemy counted as a coup, but the most prestigious acts included touching an enemy warrior with a hand, bow, or coup stick.
    Counting coup could also involve stealing an enemy’s horses tied up to his lodge in camp. Risk of injury or death was required to count coup. Escaping unharmed while counting coup was considered a higher honor than being wounded in the attempt.
    After a battle or exploit, the people of a band would gather together to recount their acts of bravery and “count coup”.

    Add to cart
    Original Artwork
    "Tuscarora Adoption"
    Add to wishlist Add to wishlist
    Compare
    Add to cart
    Quick view

    “Tuscarora Adoption”

     $1,500.00

    The Tuscarora Adoption Ceremony
    In late 17th and early 18th-century North Carolina, colonists reported two primary branches of the Tuscarora. Varying accounts circa 1708-1710 estimated the number of Tuscarora warriors as from 1200-2000.
    The Tuscarora had to deal with more numerous colonists’ encroaching on his community. They raided his villages, kidnapped the people to be sold into slavery, suffered substantial population losses after exposure to the infectious diseases of the Europeans. By 1711, the Tuscarora Chief Hancock believed he had to attack the settlers to fight back. The Indian tribes attacked, killing hundreds of settlers, including several key political figures among the colonists.
    The North Carolina militia, and allied Native Americans, attacked the Tuscarora in 1712 and 1713.the Tuscaroras were defeated in the battle of 1713, and 1500 Tuscarora fled to New York to join the Iroquois Confederacy. The Haudenosaunee (Iroquois) Five Nations of New York were more than happy to accommodate their distant cousins as the “Sixth Nation”, and in 1722 adopted them into their Confederacy.
    This is the premise around which the “Tuscarora Adoption Ceremony” was created.
    The size of the original is 36 X 40 and is painted on stretched canvas.
    $1500

    Add to cart
    Original Artwork
    "The Healing"
    Add to wishlist Add to wishlist
    Compare
    Add to cart
    Quick view

    “The Healing”

     $750.00

    The Healing
    The False Face Society is probably the best known of the medicinal societies among the Iroquois, especially for its dramatic wooden masks. The masks are used in healing rituals which invoke the spirit of an old hunch-backed man. Those cured by the society become members. Also, echoing the significance of dreams to the Iroquois, anyone who dreams that they should be a member of the society may join.
    The size of the original is 16X20 and is painted on a stretched canvas.

    Add to cart