$450.00
“One Damn Thing After Another”
In Yellowstone National Park, Wolves are more successful killing elk than bison. However, in late winter when bison were vulnerable because of poor condition or of bison that were injured or young, wolves learned to kill bison.
In this sculpture, considering the wolf being trampled, and the one being gored, it would appear that the outcome is far from certain.
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“One Damn Thing After Another”
In Yellowstone National Park, Wolves are more successful killing elk than bison. However, in late winter when bison were vulnerable because of poor condition or of bison that were injured or young, wolves learned to kill bison.
In this sculpture, considering the wolf being trampled, and the one being gored, it would appear that the outcome is far from certain.
“The tribes of the Dakota before European contact in the 1600 lived in the region around Lake Superior. In this forest environment, they lived by hunting, fishing, and gathering wild rice. They also grew some corn, but their locale was near the limit of where corn could be grown.”
European expansion in the east pushed the Lakota west onto the Great Plains in the mid- to late-17th century.
This is when the Lakota began to domesticate the horse which was a major change to the way they defined themselves. They became more nomadic as they followed the great bison herds that roamed the Great plains
This sculpture is of a Lakota Chief, is made of polymer clays and the overall size is 23 X 16 X 16.
Robins
This is “Robin Pair”. It’s an original acrylic painting on an 8 X 10 canvas board, and is designed to fit any standard 8 X 10 frame. If you have a “Gallery Wall” in your home, this would be a great addition to it.
The Healing
The False Face Society is probably the best known of the medicinal societies among the Iroquois, especially for its dramatic wooden masks. The masks are used in healing rituals which invoke the spirit of an old hunch-backed man. Those cured by the society become members. Also, echoing the significance of dreams to the Iroquois, anyone who dreams that they should be a member of the society may join.
The size of the original is 16X20 and is painted on a stretched canvas.
“Lunch”
North America’s smallest falcon, the American Kestrel packs a predator’s fierce intensity into its small body. It’s one of the most colorful of all raptors: the male’s slate-blue head and wings contrast elegantly with his rusty-red back and tail; the female has the same warm reddish on her wings, back, and tail. Hunting for insects and other small prey in open territory, kestrels perch on wires or poles, or hover facing into the wind, flapping and adjusting their long tails to stay in place.
This is an original acrylic painting on a gallery-wrapped canvas. It’s overall size is 36 X 18 inches. There is nothing covering the canvas.
“Horse” SKU-AN06
Occasionally I’ll have a void on my easel and nothing in my head, (The empty head happens a lot lately) so if I have some empty canvas/board around the studio, I’ll start painting.
This one turned out to be “Horse”. Not any particular horse. Just “Horse”.
Description:
It’s an original acrylic painting on an 8 X 10 canvas board and is designed to fit any standard 8 X 10 frame. If you have a “Gallery Wall” in your home, this would be a great addition to it.
“Hootie”
“Hootie” is an original mono-color acrylic on a 16X20 inch gallery-wrapped canvas. It has been wired and is ready to be hung on your wall.
This painting draws the most attention when hung in a show.
Scientists don’t know what characteristics bald eagles look for in potential mates or how the birds assess each other’s reproductive potential.
It’s known, however, that bald eagle pairs engage in a number of courtship rituals as they build their bond.
The most famous and recognizable of these rituals is the “cartwheel courtship flight,” in which two bald eagles will fly up high, lock talons and then get into a cartwheel spin as they fall toward the ground, breaking apart at the last minute.
This piece is sculpted in two-part epoxy, is approximately 18 inches tall, and its radius is 19 inches. It has a turntable built into it so that it can be rotated easily.
Back in the late nineties, I was into wood carving, “Big Time”!!! “Fox Cubs” is one of a very few carvings that still remain in inventory. It is carved from the wood that “The Chase” was. This might be your last chance to purchase a Robert Walker original wood carving.
Puckshinwa “Shawnee War Chief”
Puckshinwa, meaning “alights from flying”, was a Shawnee War Chief of the Kispoko during Pontiac’s Rebellion.
Pucksinewah was father to Tecumseh, a Shawnee chief and warrior who promoted resistance to the expansion of the United States onto Native American lands. A persuasive orator, Tecumseh traveled widely, forming a Native American Confederacy and promoting intertribal unity. Even though his efforts to unite Native Americans ended with his death in the War of 1812, he became an iconic folk hero in American, Indigenous, and Canadian popular history.
Puckshinwa “Shawnee War Chief”
Puckshinwa, meaning “alights from flying”, was a Shawnee War Chief of the Kispoko during Pontiac’s Rebellion.
Pucksinewah was father to Tecumseh, a Shawnee chief and warrior who promoted resistance to the expansion of the United States onto Native American lands. A persuasive orator, Tecumseh traveled widely, forming a Native American Confederacy and promoting intertribal unity. Even though his efforts to unite Native Americans ended with his death in the War of 1812, he became an iconic folk hero in American, Indigenous, and Canadian popular history.
Majestic Encounter: Cheyenne Warrior and Bison
Immerse yourself in the rich heritage and relentless spirit of the Great Plains with this stunning wall hanging sculpture. Capturing a pivotal moment in the life of the Cheyenne people, this piece features a valiant Cheyenne warrior astride a powerful horse, poised to bring down a mighty bison. The intricate details and dynamic composition vividly portray the warrior’s unwavering determination and skill as he hunts to secure vital provisions for the tribe’s winter sustenance. This artwork is not just a depiction of a hunt; it’s a tribute to the resilience, bravery, and timeless traditions of the Cheyenne Nation. A compelling addition to any collection, this sculpture invites you to witness the raw energy and profound connection between man, animal, and the land they both call home.
This is an original sculpture of a Cheyenne Warrior on horseback, about to bring down a running bison. The piece is done in two-part epoxy and is designed as a wall hanging.
“The Chase”
This woodcarving was carved from a single wild cherry tree. The trunk was sawed into 5 inch planks, kiln dried, surfaced, then reassembled into a 14 X 16 X 24 inch carving block
The actual carving began in July of 1995, and was completed in early November of that year.
I entered the carving in the Dayton Woodcarving Show, it was accepted, and won a blue ribbon in the competition.
“The tribes of the Dakota before European contact in the 1600 lived in the region around Lake Superior. In this forest environment, they lived by hunting, fishing, and gathering wild rice. They also grew some corn, but their locale was near the limit of where corn could be grown.”
European expansion in the east pushed the Lakota west onto the Great Plains in the mid- to late-17th century.
This is when the Lakota began to domesticate the horse which was a major change to the way they defined themselves. They became more nomadic as they followed the great bison herds that roamed the Great plains
This sculpture is of a Lakota Chief, is made of polymer clays and the overall size is 23 X 16 X 16.
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