Original Artwork

$750.00

“Where Eagles Fly”

The Eagles of Kachemak Bay in Alaska congregate in this area due to the fact that the lakes of their ‘home territories’  are frozen over.  They assemble at this location to feast on the waterfowl that congregate here as well as for the fish in the bay.
This acrylic painting of Bald Eagles in flight over Kachemak Bay, Alaska, is an original acrylic painting on a 36 X 24 inch canvas, and is gallery-wrapped.

International Shipping: If you are outside the U.S., please contact us directly for a shipping quote.

Description

Description

The Eagles of Kachemak Bay in Alaska congregate in this area due to the fact that the lakes of their ‘home territories’  are frozen over.  They assemble at this location to feast on the waterfowl that congregate here as well as for the fish in the bay.
This acrylic painting of Bald Eagles in flight over Kachemak Bay, Alaska, is an original acrylic painting on a 36 X 24 inch canvas, and is gallery-wrapped.

Reviews (0)

Reviews

There are no reviews yet.

Be the first to review ““Where Eagles Fly””

Your email address will not be published. Required fields are marked *

More Products

“Counting Coupe”

$750.00

“Counting Coupe”
Among the Plains Indians of North America, counting coup involved the winning of prestige against an enemy. Native American warriors won prestige by acts of bravery in the face of the enemy, which could be recorded in various ways and retold as stories. Any blow struck against the enemy counted as a coup, but the most prestigious acts included touching an enemy warrior with a hand, bow, or coup stick.
Counting coup could also involve stealing an enemy’s horses tied up to his lodge in camp. Risk of injury or death was required to count coup. Escaping unharmed while counting coup was considered a higher honor than being wounded in the attempt.
After a battle or exploit, the people of a band would gather together to recount their acts of bravery and “count coup”.

“Hunters Moon”

$450.00

Hunters Moon
The full moon that appears in October is called the Hunters Moon. The first moon after the Harvest Moon is the Hunters Moon, so named as the preferred month to hunt summer-fattened deer and fox unable to hide in now bare fields. Like the Harvest Moon, the Hunters Moon is also particularly bright and long in the sky, giving hunters the opportunity to stalk prey at night. Probably because of the threat of winter looming close, the “Hunters Moon” is generally accorded with special honor, historically serving as an important feast day in both Western Europe and among many Native American tribes.
“Hunter’s Moon” is an original acrylic painting on a 16 X 20 inch panel.

“To the Victor Go the Sorrels”

$550.00

“To the Victor Go the Sorrels”
Each herd typically has a dominant stallion referred to as the “herd stallion” and a few other less dominant stallions. Interestingly, each herd is led not by the dominant stallion but by a dominant mare. This is similar to the way we humans do things.
This original acrylic painting by Robert Walker is on a 16X20 gallery-wrapped canvas.

“Bison Bull with an Attitude”

$450.00

After the Civil War, buffalo killing went into high gear.
The combination of guns, railroads, commercial activity, and war between European settlers and American Indians proved deadly to the species. There was a huge market for buffalo skins and hides in the Northeast United States and Europe. A good buffalo skin would sell for $3 in Kansas, and a finished buffalo-hide winter coat would sell for $50. Buffalo leather was also well suited and in high demand for the belts used in pulleys and for steam engines in factories of the time.
Given the scope of this carnage, some hunters, including Buffalo Bill Cody, spoke out in favor of protecting the bison, but President Ulysses S. Grant refused to sign legislation to that effect. The U.S. Army encouraged the excessive killing of buffalo as a way of eliminating food supplies for Indian communities, enabling them to starve Indians off their land and onto reservations.
In the spring of 1886, a taxidermist from the Smithsonian, Hornaday, and his team, headed to Montana to collect specimens for the museum. Hornaday was stunned to find no live buffalo on the plains, only thousands of skeletons bleaching in the sun. The impact of killing some of the last buffalo was not lost on Hornaday, and he began to think about how to save the species.
The conservation of the bison had begun.

This is a polymer clay sculpture. It has been painted to a Faux Bronze finish. It is on a 12 inch circular wooden base. The overall dimensions are 18 X 12 X 12 inches.

“Ghost Drums”

$750.00

Ghost Drums
The basis for the Ghost Dance is the circle dance, a traditional dance done by many Native Americans. The Ghost Dance was first practiced by the Nevada Northern Paiute in 1889. The practice swept throughout much of the Western United States, quickly reaching areas of California and Oklahoma. As the Ghost Dance spread from its original source, different tribes synthesized selective aspects of the ritual with their own beliefs.
The Ghost Dance was associate(Wovoka’s) prophecy of an end to white expansion while preaching goals of clean living, an honest life, and cross-cultural cooperation by Indians. Practice of the Ghost Dance movement was believed to have contributed to Lakota resistance to assimilation under the Dawes Act.

“Sits With Thoughts” (Framed)

$1,200.00

“Sits with Thoughts” Framed Acrylic Painting
Plenty Coups was the principal chief of the Crow Nation and a visionary leader.
He allied the Crow with the whites when the war for the West was being fought because he had experienced a vision when he was very young that non-Native American people would ultimately take control of his homeland (Montana). He wanted the Crow to survive as a people and their customs and spiritual beliefs to carry on. His efforts on their behalf ensured that this happened, and he led his people peacefully into the 20th century.
The Acrylic Painting is framed in a 38X28 inch frame and is ready to hang on your wall.