Description
“Owl Eyes” is an 8 X 10 inch acrylic mono-color painting on a canvas board. This again is one of many paintings that I do to fill in between major projects. If you have a “Gallery Wall” in your home, this would be a great addition to it.
“Owl Eyes” is an 8 X 10 inch acrylic mono-color painting on a canvas board. This again is one of many paintings that I do to fill in between major projects. If you have a “Gallery Wall” in your home, this would be a great addition to it.
Red Cloud (Lakota: Maȟpíya Lúta) (born 1822 – December 10, 1909) was one of the most important leaders of the Oglala Lakota from 1868 to 1909. He was one of the most capable Native American opponents that the United States Army faced in its mission to occupy the western territories, defeating the United States during Red Cloud’s War, which was a fight over control of the Powder River Country in northeastern Wyoming and southern Montana. The largest action of the war was the Fetterman Fight, with 81 U.S soldiers killed, and was the worst military defeat suffered by the United States Army on the Great Plains until the Battle of the Little Bighorn ten years later.
After signing the Treaty of Fort Laramie (1868), Red Cloud led his people in the important transition to reservation life.
This original acrylic painting is on an 18 X 24 gallery-wrapped canvas, and is a Raw Umber Mono-color.
“Counting Coupe”
Among the Plains Indians of North America, counting coup involved the winning of prestige against an enemy. Native American warriors won prestige by acts of bravery in the face of the enemy, which could be recorded in various ways and retold as stories. Any blow struck against the enemy counted as a coup, but the most prestigious acts included touching an enemy warrior with a hand, bow, or coup stick.
Counting coup could also involve stealing an enemy’s horses tied up to his lodge in camp. Risk of injury or death was required to count coup. Escaping unharmed while counting coup was considered a higher honor than being wounded in the attempt.
After a battle or exploit, the people of a band would gather together to recount their acts of bravery and “count coup”.
“The Chase”
This woodcarving was carved from a single wild cherry tree. The trunk was sawed into 5 inch planks, kiln dried, surfaced, then reassembled into a 14 X 16 X 24 inch carving block
The actual carving began in July of 1995, and was completed in early November of that year.
I entered the carving in the Dayton Woodcarving Show, it was accepted, and won a blue ribbon in the competition.
“The tribes of the Dakota before European contact in the 1600 lived in the region around Lake Superior. In this forest environment, they lived by hunting, fishing, and gathering wild rice. They also grew some corn, but their locale was near the limit of where corn could be grown.”
European expansion in the east pushed the Lakota west onto the Great Plains in the mid- to late-17th century.
This is when the Lakota began to domesticate the horse which was a major change to the way they defined themselves. They became more nomadic as they followed the great bison herds that roamed the Great plains
This sculpture is of a Lakota Chief, is made of polymer clays and the overall size is 23 X 16 X 16.
“Sits with Thoughts” Framed Acrylic Painting
Plenty Coups was the principal chief of the Crow Nation and a visionary leader.
He allied the Crow with the whites when the war for the West was being fought because he had experienced a vision when he was very young that non-Native American people would ultimately take control of his homeland (Montana). He wanted the Crow to survive as a people and their customs and spiritual beliefs to carry on. His efforts on their behalf ensured that this happened, and he led his people peacefully into the 20th century.
The Acrylic Painting is framed in a 38X28 inch frame and is ready to hang on your wall.
Final Approach
This is a pair of Sandhill Cranes coming in on the “Final Approach” for a landing. This original pencil drawing is 15X15 inches and is drawn on archival paper. The size of the framed piece is 22X24 inches The pencil drawing has been double matted in grays, and backed with Foam-core. It is framed in black metal, and covered in non-glare glass.
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