$2,500.00
“The Chase”
This woodcarving was carved from a single wild cherry tree. The trunk was sawed into 5 inch planks, kiln dried, surfaced, then reassembled into a 14 X 16 X 24 inch carving block
The actual carving began in July of 1995, and was completed in early November of that year.
I entered the carving in the Dayton Woodcarving Show, it was accepted, and won a blue ribbon in the competition.
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“The Chase”
This woodcarving was carved from a single wild cherry tree. The trunk was sawed into 5 inch planks, kiln dried, surfaced, then reassembled into a 14 X 16 X 24 inch carving block
The actual carving began in July of 1995, and was completed in early November of that year.
I entered the carving in the Dayton Woodcarving Show, it was accepted, and won a blue ribbon in the competition.
“Quoth the Raven”
This is an acrylic original on an 8X10 canvas board. Over the years, I have painted a variety of 8X10 original bird pairs. You will find other of these originals scattered throughout this Gallery. Eventually I plan to release prints of these in “Collections” under the name “Birds of the Air”. The Collections that will be available sometime in the future. This is one of the originals. All of these originals will fit a standard 8X10 frame of your choosing.
The Healing
The False Face Society is probably the best known of the medicinal societies among the Iroquois, especially for its dramatic wooden masks. The masks are used in healing rituals which invoke the spirit of an old hunch-backed man. Those cured by the society become members. Also, echoing the significance of dreams to the Iroquois, anyone who dreams that they should be a member of the society may join.
The size of the original is 16X20 and is painted on a stretched canvas.
“To the Victor Go the Sorrels”
Each herd typically has a dominant stallion referred to as the “herd stallion” and a few other less dominant stallions. Interestingly, each herd is led not by the dominant stallion but by a dominant mare. This is similar to the way we humans do things.
This original acrylic painting by Robert Walker is on a 16X20 gallery-wrapped canvas.
Grandma SKU-AN03
—–And Goldilocks said, “Why Grandma, what big eyes you have! The wolf said, “The better to see you with.”—-and we all know where this is going.
Description:This is an acrylic painting on a 16X20 gallery wrapped canvas. The great part is that the painting is an original, and this means it is a “One-of-a-Kind”. No one else can get one.$450
Majestic Encounter: Cheyenne Warrior and Bison
Immerse yourself in the rich heritage and relentless spirit of the Great Plains with this stunning wall hanging sculpture. Capturing a pivotal moment in the life of the Cheyenne people, this piece features a valiant Cheyenne warrior astride a powerful horse, poised to bring down a mighty bison. The intricate details and dynamic composition vividly portray the warrior’s unwavering determination and skill as he hunts to secure vital provisions for the tribe’s winter sustenance. This artwork is not just a depiction of a hunt; it’s a tribute to the resilience, bravery, and timeless traditions of the Cheyenne Nation. A compelling addition to any collection, this sculpture invites you to witness the raw energy and profound connection between man, animal, and the land they both call home.
This is an original sculpture of a Cheyenne Warrior on horseback, about to bring down a running bison. The piece is done in two-part epoxy and is designed as a wall hanging.
“Counting Coupe”
Description:Among the Plains Indians of North America, counting coupe is the warrior tradition of winning prestige against an enemy in battle. It is one of the traditional ways of showing bravery in the face of an enemy and involves intimidating him, and, it is hoped, persuading him to admit defeat, without having to kill him. If the coupe is considered worthy by the tribe elders, the warrior is awarded an “Eagle Feather”.
This Sculpture is of a warrior riding back into camp after stealing four horses. Maybe he will get an “Eagle Feather”.
Historical Context: Among the Plains Indians of North America, “Counting Coup is the warrior tradition of winning prestige against an enemy in battle. It is one of the traditional ways of showing bravery in the face of an enemy and involves intimidating him, and, it is hoped, persuading him to admit defeat, without having to kill him. These victories may then be remembered, recorded, and recounted as part of the community’s oral, written, or pictorial histories.
Medium: Two-part epoxy with a Faux Bronze finish, mounted on a 12-inch circular base that rotates which allows the sculpture to be easily turned.
Dimensions: 18 x 12 x 12 inches.
After the Civil War, buffalo killing went into high gear.
The combination of guns, railroads, commercial activity, and war between European settlers and American Indians proved deadly to the species. There was a huge market for buffalo skins and hides in the Northeast United States and Europe. A good buffalo skin would sell for $3 in Kansas, and a finished buffalo-hide winter coat would sell for $50. Buffalo leather was also well suited and in high demand for the belts used in pulleys and for steam engines in factories of the time.
Given the scope of this carnage, some hunters, including Buffalo Bill Cody, spoke out in favor of protecting the bison, but President Ulysses S. Grant refused to sign legislation to that effect. The U.S. Army encouraged the excessive killing of buffalo as a way of eliminating food supplies for Indian communities, enabling them to starve Indians off their land and onto reservations.
In the spring of 1886, a taxidermist from the Smithsonian, Hornaday, and his team, headed to Montana to collect specimens for the museum. Hornaday was stunned to find no live buffalo on the plains, only thousands of skeletons bleaching in the sun. The impact of killing some of the last buffalo was not lost on Hornaday, and he began to think about how to save the species.
The conservation of the bison had begun.
This is a polymer clay sculpture. It has been painted to a Faux Bronze finish. It is on a 12 inch circular wooden base. The overall dimensions are 18 X 12 X 12 inches.
Scientists don’t know what characteristics bald eagles look for in potential mates or how the birds assess each other’s reproductive potential.
It’s known, however, that bald eagle pairs engage in a number of courtship rituals as they build their bond.
The most famous and recognizable of these rituals is the “cartwheel courtship flight,” in which two bald eagles will fly up high, lock talons and then get into a cartwheel spin as they fall toward the ground, breaking apart at the last minute.
This piece is sculpted in two-part epoxy, is approximately 18 inches tall, and its radius is 19 inches. It has a turntable built into it so that it can be rotated easily.
Majestic Encounter: Cheyenne Warrior and Bison
Immerse yourself in the rich heritage and relentless spirit of the Great Plains with this stunning wall hanging sculpture. Capturing a pivotal moment in the life of the Cheyenne people, this piece features a valiant Cheyenne warrior astride a powerful horse, poised to bring down a mighty bison. The intricate details and dynamic composition vividly portray the warrior’s unwavering determination and skill as he hunts to secure vital provisions for the tribe’s winter sustenance. This artwork is not just a depiction of a hunt; it’s a tribute to the resilience, bravery, and timeless traditions of the Cheyenne Nation. A compelling addition to any collection, this sculpture invites you to witness the raw energy and profound connection between man, animal, and the land they both call home.
This is an original sculpture of a Cheyenne Warrior on horseback, about to bring down a running bison. The piece is done in two-part epoxy and is designed as a wall hanging.
“One Damn Thing After Another”
In Yellowstone National Park, Wolves are more successful killing elk than bison. However, in late winter when bison were vulnerable because of poor condition or of bison that were injured or young, wolves learned to kill bison.
In this sculpture, considering the wolf being trampled, and the one being gored, it would appear that the outcome is far from certain.
Puckshinwa “Shawnee War Chief”
Puckshinwa, meaning “alights from flying”, was a Shawnee War Chief of the Kispoko during Pontiac’s Rebellion.
Pucksinewah was father to Tecumseh, a Shawnee chief and warrior who promoted resistance to the expansion of the United States onto Native American lands. A persuasive orator, Tecumseh traveled widely, forming a Native American Confederacy and promoting intertribal unity. Even though his efforts to unite Native Americans ended with his death in the War of 1812, he became an iconic folk hero in American, Indigenous, and Canadian popular history.
Puckshinwa “Shawnee War Chief”
Puckshinwa, meaning “alights from flying”, was a Shawnee War Chief of the Kispoko during Pontiac’s Rebellion.
Pucksinewah was father to Tecumseh, a Shawnee chief and warrior who promoted resistance to the expansion of the United States onto Native American lands. A persuasive orator, Tecumseh traveled widely, forming a Native American Confederacy and promoting intertribal unity. Even though his efforts to unite Native Americans ended with his death in the War of 1812, he became an iconic folk hero in American, Indigenous, and Canadian popular history.
Back in the late nineties, I was into wood carving, “Big Time”!!! “Fox Cubs” is one of a very few carvings that still remain in inventory. It is carved from the wood that “The Chase” was. This might be your last chance to purchase a Robert Walker original wood carving.
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