$750.00
The Healing
The False Face Society is probably the best known of the medicinal societies among the Iroquois, especially for its dramatic wooden masks. The masks are used in healing rituals which invoke the spirit of an old hunch-backed man. Those cured by the society become members. Also, echoing the significance of dreams to the Iroquois, anyone who dreams that they should be a member of the society may join.
The size of the original is 16X20 and is painted on a stretched canvas.
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The Healing
The False Face Society is probably the best known of the medicinal societies among the Iroquois, especially for its dramatic wooden masks. The masks are used in healing rituals which invoke the spirit of an old hunch-backed man. Those cured by the society become members. Also, echoing the significance of dreams to the Iroquois, anyone who dreams that they should be a member of the society may join.
The size of the original is 16X20 and is painted on a stretched canvas.
The Eagles of Kachemak Bay in Alaska congregate in this area due to the fact that the lakes of their ‘home territories’ are frozen over. They assemble at this location to feast on the waterfowl that congregate here as well as for the fish in the bay.
This acrylic painting of Bald Eagles in flight over Kachemak Bay, Alaska, is an original acrylic painting on a 36 X 24 inch canvas, and is gallery-wrapped.
Robins
This is “Robin Pair”. It’s an original acrylic painting on an 8 X 10 canvas board, and is designed to fit any standard 8 X 10 frame. If you have a “Gallery Wall” in your home, this would be a great addition to it.
The Tuscarora Adoption Ceremony
In late 17th and early 18th-century North Carolina, colonists reported two primary branches of the Tuscarora. Varying accounts circa 1708-1710 estimated the number of Tuscarora warriors as from 1200-2000.
The Tuscarora had to deal with more numerous colonists’ encroaching on his community. They raided his villages, kidnapped the people to be sold into slavery, suffered substantial population losses after exposure to the infectious diseases of the Europeans. By 1711, the Tuscarora Chief Hancock believed he had to attack the settlers to fight back. The Indian tribes attacked, killing hundreds of settlers, including several key political figures among the colonists.
The North Carolina militia, and allied Native Americans, attacked the Tuscarora in 1712 and 1713.the Tuscaroras were defeated in the battle of 1713, and 1500 Tuscarora fled to New York to join the Iroquois Confederacy. The Haudenosaunee (Iroquois) Five Nations of New York were more than happy to accommodate their distant cousins as the “Sixth Nation”, and in 1722 adopted them into their Confederacy.
This is the premise around which the “Tuscarora Adoption Ceremony” was created.
The size of the original is 36 X 40 and is painted on stretched canvas.
$1500
“Hootie”
“Hootie” is an original mono-color acrylic on a 16X20 inch gallery-wrapped canvas. It has been wired and is ready to be hung on your wall.
This painting draws the most attention when hung in a show.
After the Civil War, buffalo killing went into high gear.
The combination of guns, railroads, commercial activity, and war between European settlers and American Indians proved deadly to the species. There was a huge market for buffalo skins and hides in the Northeast United States and Europe. A good buffalo skin would sell for $3 in Kansas, and a finished buffalo-hide winter coat would sell for $50. Buffalo leather was also well suited and in high demand for the belts used in pulleys and for steam engines in factories of the time.
Given the scope of this carnage, some hunters, including Buffalo Bill Cody, spoke out in favor of protecting the bison, but President Ulysses S. Grant refused to sign legislation to that effect. The U.S. Army encouraged the excessive killing of buffalo as a way of eliminating food supplies for Indian communities, enabling them to starve Indians off their land and onto reservations.
In the spring of 1886, a taxidermist from the Smithsonian, Hornaday, and his team, headed to Montana to collect specimens for the museum. Hornaday was stunned to find no live buffalo on the plains, only thousands of skeletons bleaching in the sun. The impact of killing some of the last buffalo was not lost on Hornaday, and he began to think about how to save the species.
The conservation of the bison had begun.
This is a polymer clay sculpture. It has been painted to a Faux Bronze finish. It is on a 12 inch circular wooden base. The overall dimensions are 18 X 12 X 12 inches.
Geronimo was a Bedonkohe Apache leader of the Chiricahua Apache, who led his people’s defense of their homeland against the military might of the United States.
“Geronimo”
Geronimo was an Apache leader who continued the tradition of the Apaches resisting white colonization of their homeland in the Southwest, participating in raids into Sonora and Chihuahua in Mexico. After years of war, Geronimo finally surrendered to U.S. troops in 1886. While he became a celebrity, he spent the last two decades of his life as a prisoner of war.
This 16 X 20 mono-color painting is of Geronimo in his last years, maybe thinking of his days in Arizona, fighting for his tribal lands.
Ten Horse Team on the Overland Trail
The Overland Trail (also known as the “Overland Stage Line”) was a stagecoach and wagon trail in the American West during the 19th century. While portions of the route had been used by explorers and trappers since the 1820s, the Overland Trail was most heavily used in the 1860s as an alternative route to the Oregon, California, and Utan trails through central Wyoming. The Overland Trail was famously used by the Overland Stage Company owned by Ben Holladay to run mail and passengers to Salt Lake City, Utah, via stagecoaches in the early 1860s. The stage line operated until 1869 when the completion of the First Transcontinental Railroad eliminated the need for mail service via stagecoach.
The original “Ten Horse Team” is an acrylic painting on a 2 X 4 foot canvas
Cheyenne Elder
Between 1900 and 1930, Edward Curtis traveled deep into Indian territories and lived among dozens of Native tribes. He captured the authentic ways of life of over 80 Native cultures. One of his photographs was the reference for this acrylic mono-color. I see this old man, thinking that his way of life that he knew in his early life was gone forever, and would never return.
The size of this original is painted on a 16X20X1 stretched canvas. It is a mono-color using only raw umber acrylic paint
The Tuscarora Adoption Ceremony
In late 17th and early 18th-century North Carolina, colonists reported two primary branches of the Tuscarora. Varying accounts circa 1708-1710 estimated the number of Tuscarora warriors as from 1200-2000.
The Tuscarora had to deal with more numerous colonists’ encroaching on his community. They raided his villages, kidnapped the people to be sold into slavery, suffered substantial population losses after exposure to the infectious diseases of the Europeans. By 1711, the Tuscarora Chief Hancock believed he had to attack the settlers to fight back. The Indian tribes attacked, killing hundreds of settlers, including several key political figures among the colonists.
The North Carolina militia, and allied Native Americans, attacked the Tuscarora in 1712 and 1713.the Tuscaroras were defeated in the battle of 1713, and 1500 Tuscarora fled to New York to join the Iroquois Confederacy. The Haudenosaunee (Iroquois) Five Nations of New York were more than happy to accommodate their distant cousins as the “Sixth Nation”, and in 1722 adopted them into their Confederacy.
This is the premise around which the “Tuscarora Adoption Ceremony” was created.
The size of the original is 36 X 40 and is painted on stretched canvas.
$1500
Ghost Drums
The basis for the Ghost Dance is the circle dance, a traditional dance done by many Native Americans. The Ghost Dance was first practiced by the Nevada Northern Paiute in 1889. The practice swept throughout much of the Western United States, quickly reaching areas of California and Oklahoma. As the Ghost Dance spread from its original source, different tribes synthesized selective aspects of the ritual with their own beliefs.
The Ghost Dance was associate(Wovoka’s) prophecy of an end to white expansion while preaching goals of clean living, an honest life, and cross-cultural cooperation by Indians. Practice of the Ghost Dance movement was believed to have contributed to Lakota resistance to assimilation under the Dawes Act.
Nampeyo (1859 –1942) was a Hopi-Tewa potter who lived on the Hopi Reservation in Arizona. Her Tewa name was also spelled Num-pa-yu, meaning “snake that does not bite”.She used ancient techniques for making and firing pottery and used designs from “Old Hopi” pottery and sherds found at 15th-century Sikyátki ruins on First Mesa.A world record for Southwest American Indian pottery was declared at Bonhams Auction House in San Francisco on December 6, 2010, when one of Nampeyo’s art works, a decorated ceramic pot, sold for $350,000.
This monocolor is an acrylic painting on a 16X20 gallery-wrapped canvas.
The Last Hunt
Upon arriving in the Ohio Country, the Delaware Tribes formed alliances with Frenchmen engaged in the fur trade. The French provided the natives with European cookware and guns, as well as alcohol, in return for furs. The French and British colonists struggled for control of the Ohio Country beginning in the 1740s, and as the British gained control of the Ohio Country, the Delawares chose to ally themselves with the stronger party. This was the case until the French abandoned all of their North American colonies to Britain. The Delawares thereafter remained loyal to the British and the American colonists until the American Revolution.
“The Last Hunt” depicts a hunting party of Delaware Indians in their final days before they were displaced to the Oklahoma Territory. The old chief and his party are having a good hunt in what is now the Mohican State Park in Ohio. It will be their “Last Hunt before their way of life changes forever.
This acrylic painting is on a 36 X 36 X 1 gallery-wrapped canvas, and may be hung without framing.
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