Description
“Hootie”
“Hootie” is an original mono-color acrylic on a 16X20 inch gallery-wrapped canvas. It has been wired and is ready to be hung on your wall.
This painting draws the most attention when hung in a show.
“Hootie”
“Hootie” is an original mono-color acrylic on a 16X20 inch gallery-wrapped canvas. It has been wired and is ready to be hung on your wall.
This painting draws the most attention when hung in a show.
Ten Point SKU-AN01
This ten pointer would make a great wall hanging that most hunters wait for all of their lives. This would be a great gift for the “Hunter” that has everything.
Description:
This is an acrylic painting on a 16X20 gallery wrapped canvas. The great part is that the painting is an original, and this means it is a “One-of-a-Kind”. No one else can get one.
$450
“Sits with Thoughts” Framed Acrylic Painting
Plenty Coups was the principal chief of the Crow Nation and a visionary leader.
He allied the Crow with the whites when the war for the West was being fought because he had experienced a vision when he was very young that non-Native American people would ultimately take control of his homeland (Montana). He wanted the Crow to survive as a people and their customs and spiritual beliefs to carry on. His efforts on their behalf ensured that this happened, and he led his people peacefully into the 20th century.
The Acrylic Painting is framed in a 38X28 inch frame and is ready to hang on your wall.
“One Damn Thing After Another”
In Yellowstone National Park, Wolves are more successful killing elk than bison. However, in late winter when bison were vulnerable because of poor condition or of bison that were injured or young, wolves learned to kill bison.
In this sculpture, considering the wolf being trampled, and the one being gored, it would appear that the outcome is far from certain.
Grandma SKU-AN03
—–And Goldilocks said, “Why Grandma, what big eyes you have! The wolf said, “The better to see you with.”—-and we all know where this is going.
Description:This is an acrylic painting on a 16X20 gallery wrapped canvas. The great part is that the painting is an original, and this means it is a “One-of-a-Kind”. No one else can get one.$450
After the Civil War, buffalo killing went into high gear.
The combination of guns, railroads, commercial activity, and war between European settlers and American Indians proved deadly to the species. There was a huge market for buffalo skins and hides in the Northeast United States and Europe. A good buffalo skin would sell for $3 in Kansas, and a finished buffalo-hide winter coat would sell for $50. Buffalo leather was also well suited and in high demand for the belts used in pulleys and for steam engines in factories of the time.
Given the scope of this carnage, some hunters, including Buffalo Bill Cody, spoke out in favor of protecting the bison, but President Ulysses S. Grant refused to sign legislation to that effect. The U.S. Army encouraged the excessive killing of buffalo as a way of eliminating food supplies for Indian communities, enabling them to starve Indians off their land and onto reservations.
In the spring of 1886, a taxidermist from the Smithsonian, Hornaday, and his team, headed to Montana to collect specimens for the museum. Hornaday was stunned to find no live buffalo on the plains, only thousands of skeletons bleaching in the sun. The impact of killing some of the last buffalo was not lost on Hornaday, and he began to think about how to save the species.
The conservation of the bison had begun.
This is a polymer clay sculpture. It has been painted to a Faux Bronze finish. It is on a 12 inch circular wooden base. The overall dimensions are 18 X 12 X 12 inches.
Ghost Drums
The basis for the Ghost Dance is the circle dance, a traditional dance done by many Native Americans. The Ghost Dance was first practiced by the Nevada Northern Paiute in 1889. The practice swept throughout much of the Western United States, quickly reaching areas of California and Oklahoma. As the Ghost Dance spread from its original source, different tribes synthesized selective aspects of the ritual with their own beliefs.
The Ghost Dance was associate(Wovoka’s) prophecy of an end to white expansion while preaching goals of clean living, an honest life, and cross-cultural cooperation by Indians. Practice of the Ghost Dance movement was believed to have contributed to Lakota resistance to assimilation under the Dawes Act.
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